Dara O Briain’s award-winning show filmed at Dublin’s Vicar Street in 2022. Dara deals with missing body parts, a TV show he’ll never do and an astonishing family revelation.

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The residents of an isolated town look to revive their home’s identity when a group of foreigners unexpectedly arrive, bringing culture shock with them.

Jean-Claude is a loud-mouthed, know-it-all and full time boor who is best friends with Stef, a self-styled lady killer who would do better with the fairer sex if he could work up the ambition to wake up in the morning. Stef has decided that he may need some help in finding the woman of his dreams, and embracing loyalty rather than logic he turns to Jean-Claude for advice.

Littlefoot and the gang meet a shy newcomer, Ali, but the pleasantries stop there. There’s a dire environmental theme to this third sequel in the series, in which the world’s weather changes beyond the Great Valley, and what had been dry land is now a “land of mists.” The shift brings new creatures who push out older inhabitants, and Littlefoot sees these radical changes for himself when he has to venture into the area to find a medicinal flower for his sick grandfather. While the animation is slow and contained the way direct-to-video cartoon releases often are, the story is sound and the now-familiar characters are memorable.

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Kate Pierce is reluctantly spending Christmas with her mom’s new boyfriend and his son Jack. But when the North Pole and Christmas are threatened to be destroyed, Kate and Jack are unexpectedly pulled into a new adventure with Santa Claus.

Trailer Park Boys: Don’t Legalize It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).

Beginning with the suicide of a film director, this work represents the Korean New Wave Cinema movement that focused on criticizing the Korean society in the 1980s through satire and humor. The journey taken by the characters, who lead low lives at the margins of the society, award them with a sense of liberation, however brief.

Peter Casey has been with the New York City police department for 25 years. He’s totally surprised when he’s asked to retire on his 25th anniversary with the force. He’s even more unprepared for the romance that develops between his favorite daughter, Maureen, and the Scottish cop who takes over his beat.

When a shy teenager’s new-found powers help him score at basketball – and with the popular girls – he has some pretty hairy decisions to make.

Justin Cobb, a teenager in suburban Oregon, copes with his thumb-sucking problem, romance, and his diagnosis with ADHD and subsequent experience using Ritalin.