For centuries, Inuit in the Arctic have lived on and around the frozen ocean. Now, as climate change is rapidly melting the sea ice between Canada and Greenland, the outside world sees unprecedented opportunity. Oil and gas deposits, faster shipping routes, tourism, and fishing all provide financial incentive to exploit the newly opened waters. But for more than 100,000 Inuit, an entire way of life is at stake. Development here threatens to upset the delicate balance between their communities, land, and wildlife. Divided by aggressive colonization and decades of hardship, Inuit in Canada and Greenland are once again coming together, fighting to protect what will remain of their world. The question is, will the world listen?

The story of a friendship spanning generations and boundaries: a Hungarian soldier escapes to the West in the ’50s. The son of a U.S. soldier runs to the East in the ’90s. Their paths cross in Bogotá, Colombia, and they become friends by sharing memories of the same land but of very different times.

The extraordinary story of the 1971 Women’s World Cup, which was held in Mexico City and witnessed by more than 100,000 fans. This landmark tournament was dismissed by FIFA and written out of sports history – until now, with dazzling archival footage and interviews with the former players.

A turbulent newsroom drama that intimately chronicles the working days of broadcast journalist Ravish Kumar as he navigates a spiraling world of truth and disinformation.

An hybrid feature film between documentary and fiction that approaches cinema as a ritual of symbolic transformation of death in the experience of 7 trans women. In this film, testimonies are combined with scenes that plunge into the surreal and the fantastic to narrate death from different angles, death related to transfeminicides, only in the year 2021, 36 trans women were murdered in Colombia; social death that seeks to annul in exclusion and silencing the life that makes it uncomfortable; and the multiple deaths that we experience in life, which speak of renunciations, forgetfulness, separations, changes.

What is art and how does it relate to society? Is its value determined by its popularity or originality? Is the goal profit or expressing one’s personal vision? These are some of the questions raised as we follow fiercely independent New York artist Robert Cenedella in his artistic journey through decades of struggling for creative expression. A student, protégé and friend of German artist George Grosz, Cenedella is now passing on the legacy of Grosz’s approach to art, in the very same room where Grosz taught. In portraying Cenedella’s determination to buck the system of what’s popular while critiquing that popularity in his attempt to turn the art world upside down, ART BASTARD is a funny, touching, and insightful look inside the maverick mind of a true original.

On the death of HM Queen Elizabeth II, a special documentary featuring contributions from HM King Charles III, her children, public figures, and those who worked with her. With previously unseen archive footage from the Queen’s collection.

Louis visits on of America’s most crime-ridden cities in this installment of Law and Disorder.

The final part of Heinz Emigholz’s “Streetscapes” series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring.

Filmmakers follow nine high school students from around the globe as they compete at an international science fair. Facing off against 1,700 of the smartest teens from 78 countries, only one will be named Best in Fair.

Maryam Zaree was born in one of Iran’s most notorious political prisons. In her documental debut, she embarks on a personal search for clues: in an effort to break the silence, she talks with her parents about the violent circumstances surrounding her birth. And she asks other children born in Evin about their experiences and the traumatic consequences. Maryam Zaree’s cinematic approach unfolds through her own biography, but beyond this it alerts us to the horrors of persecution and dehumanisation in Iran and the rest of the world.

Aliens in our ancient past is practically common knowledge. They came millennia ago, fought a great war between themselves and left behind a history of their occupation, vestiges of a long lost culture from another planet and a sudden departure – but why? After eons these beings have now returned and are engaged in a battle with humanity itself and some researchers believe they have returned to manipulate and use mankind to a sinister end.