Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.
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Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance.
MARTHA EVANS has been abandoned by her ne’er-do-well husband, who took all their cash and left her homeless and virtually destitute with her two daughters and stepson. Martha leaves town in hopes of finding a job and a place to stay, she finally finds a job at a sleepy rural diner, formerly famous for its home-made root beer. But with her car broken down and the bills piling up, it looks like it’s going to be a bleak Christmas for the Evans family. However, there are warm hearts working behind the scenes that ultimately make this the happiest holiday of Martha’s life — a real answer to her prayers
Ana is a young woman who has just been given a scholarship to study in a foreign country. She decides to celebrate with their friends out of the city. On the road, after helping an injured woman, they are kidnapped by a weird family.
In this lively French remake of Humpday, best buds reunite and revive their friendship on a questionable dare. Can two straight guys really make a gay sex film, together?
Like every day, Marcelo gathers her children on the floor of his ex-wife. As each day play “to see who gets there first” them down the stairs, him in the elevator, a diversion that your ex-partner does not like. But when one day Marcelo plays the downstairs children are not. They are not anywhere. The fear begins to emerge when a phone call will catapult the horror: a kidnapper puts a price for the release of their children
Divine G, imprisoned at Sing Sing for a crime he didn’t commit, finds purpose by acting in a theatre group alongside other incarcerated men in this story of resilience, humanity, and the transformative power of art.
Growing up marginalized in the hood, several women desperate to change their financial dynamic engage in seedy career choices that sends their lives and those around them into a downward spiral.
Karolina (Katarzyna Zawadzka) works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands – a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss – Adam (Tomasz Karolak), he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan (Jan Frycz) is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur (Rafał Zawierucha) – an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz (Antoni Królikowski), who dreams of independence, his own place and the longed-for move away from his in-laws.
Based on an actual murder case that ignited a furious debate over the death penalty in Chile in 1960, this experimental social drama portrays the life and death of an illiterate peasant who, while drunk, murdered the woman with whom he had a relationship and her five children.
The story of Leon, an antiques collector who inherits a house from his estranged mother only to discover that she had been living in a shrine devoted to a mysterious cult. Soon, Leon comes to suspect that his mother’s oppressive spirit still lingers within her home and is using items in the house to contact him with an urgent message.
The film is a lyrical exploration of a particular family situation and the human relationships within it. Devoid of any moral judgment, the eye of the director studies the boundaries of human behaviour and explores how far an individual can go, driven by love and the spirit of survival. Andrea Pallaoro was born in Trento but at the age of 17 moved to California to study filmmaking. His short film Wunderkammer was presented at the Sundance Film Festival. This year he brings his first feature-length film to the Orizzonti section.
