While in medieval Korea, a young girl sets out to revenge the betrayal and the death of her mother. But therefore she must face one of the most powerful men and warriors of the Goryo Dynasty.
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Mi-na takes over a small stationery store from her father when he suddenly falls down. She wants to sell the store because it seems only troublesome to her. But it is not as easy as she thought. The store’s regular costomers force her not to sell it. The objections of the little children is hard to resist.
Don, a rich twelve-year-old, is kicked out of school. He is send to another school where he has difficulties fitting in.
In a misguided attempt to protect his family and pay back gambling debts to the local Mobster, Jimbo robs a fish market, which is coincidentally owned by the same Mobster. On the run, Jimbo is cornered in a local curio shop, where he takes hostage an assortment of colorful characters, including Maguire, who may be his illegitimate father. Surrounded by the Police, the SAS, and the Mobster’s crew, the young man must find a way out of his precarious predicament with the help of his oddball captives.
The town of Westbrick is a rough place to live in. It is here that the young rookie cop Matthew lives with his wife. Meanwhile, notorious serial killers Billy and Barbara embark on a killing spree in order to get notoriety. Matthew gets his first assignment with his much older partner William when he unfortunately crosses paths with Billy and Barbara.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
An unusual explorer named Gum and his kindly niece adopt three orphans — Pauline, Petrova and Posy — and raise them as sisters in 1930s London. But the girls must fend for themselves when Gum doesn’t return from one of his adventures. Together, they nurture their passions for acting, aviation and ballet in this charming TV adaptation of Noel Streatfield’s novel.
During a lunar eclipse, seven friends gather for dinner and decide to play a game in which they must share with each other the content of every message, email or phone call they receive throughout the evening.
The breakout of the war shatters the world of a young student, Lyudmila Pavlichenko, forcing her to enlist in the army in 1941. The maiden turns out to be a natural-born sniper, her impressive skill and prowess make her stand out among men and women alike. Seeing Pavlichenko as a tangible threat, the German High Command gives orders to eliminate the girl whatever the cost. In the meanwhile, Lyudmila meets a man and falls in love. War fades into the background… Soon, however, another misfortune befalls Lyudmila leaving the man she loves on the brink of death and herself seriously wounded. The girl is pulled out of combat and later goes to the United States with a publicity visit. Eleanor Roosevelt welcomes Lyudmila in the White House and the two women soon become close. It won’t be long before Pavlichenko stands before an audience in Chicago pressing for a second front. Will her words have the capacity to change the course of war?
Based on a true story. Liz Murray is a young girl who is taken care of by her loving, but drug-addicted parents. Liz becomes homeless at 15 and after a tragedy comes upon her, she begins her work to finish high school.
A retired detective Tony Zarra (Tony Sirico) is pushed into the world of crime after the murder of his younger brother.
On the eve of Y2K, orphaned 12-year-old Beverly discovers a broken mixtape crafted by her teen parents. Raised by her grandmother – who struggles talking about her late daughter – Beverly sees the mixtape as a chance to finally learn more about her parents.
