Aisha Johnson, an astute and bright student, is one of the finalists for a coveted scholarship. One day after Aisha does the right thing, her life spirals out of control and her once-promising future is in jeopardy. Aisha learns to survive, navigate life at school and on the streets of Roxbury while keeping her eyes on the prize.
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Strange rumors start to spread at the catholic girls’ high school after Unjoo committed suicide one night. Unjoo’s younger sister Jung-un who attends the same school gets suspicious about Unjoo’s death. After persistent investigation, Jung-un finds out that on the night of the incident, Soy, Eugene, Eun-young, Unjoo, the four of them had tried to commit a joint suicide after making a vow on blood. But the three are still alive, and only Unjoo had died. the desire, jealousy, and lies behind the pledge of death between the four girls are revealed, along with the hidden truth behind Unjoo’s suicide.
Greta is a waitress who falls for an ambitious cook at the restaurant where they work. But as their summer romance heats up, she has to overcome the concerns of her grandparents about her boyfriend’s criminal past.
A former cop turned Los Angeles P.I. takes on a case of a missing diamond cutter that leads him on an adventure of love and villainy spanning of mob to the present day Jewelry District.
Barkhaa is a Bollywood Romantic film, directed by Shadaab Mirza and produced by Shabana Hashmi. It stars Sara Loren in lead titular role. The film also stars Taaha Shah, Shweta Pandit, Priyanshu Chatterjee and Puneet Issar in prominent roles. The film was extensively shot in Himachal Pradesh, India. Marketing of the film was done by Hash Entertainment and is distributed under the banner of Zahara Productions. It was released on March 27, 2015.
The story revolves around Mrs. Nu’s family consisting of three generations living together in the same house. The one-handed Mrs. Nu is known for her crab cakes and is also notorious for controlling the lives of everyone, from her daughter to her son-in-law. Everything was going normally until the youngest daughter fell in love with a handsome guy from a rich family. The story depicts the complex, multi-dimensional relationships that occur with family members. The main tagline (message) “Everyone is at fault, but everyone thinks they are… the victim” contains many hidden meanings about the content the film wants to convey.
Present day Bucharest. Estera is pursuing a job opportunity in Atlanta. She puts her hope in a “friend-interview” with Mike, a Romanian-American entrepreneur who reveals himself to be a domineering wreck with issues of his own.
A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her.
A 47 year old Christian man on the other side of an unwanted divorce thinks back on his first love from high school and wants to see her again.
When an acclaimed music producer goes off his medication for schizophrenia, his friends chase him though the LA music scene to help commit him to a psychiatric hospital, revealing the troubling inadequacies of our mental health care system.
The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”
