A young woman is motivated to take her career to the next level by any means necessary all while jeopardizing her seemingly perfect life.
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After India’s father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.
Michael Lynch is a notorious criminal with two wives and a flair for showmanship. He’s also a huge embarrassment to the local police, who are determined to bring him down once and for all.
David’s turning 50 and having a Mid-life Crisis! He isn’t sure his “perfect husband” loves him, and if he’s chosen the right career. Aging is something he never thought about, but now he is faced with making the rest of his life count and hopes his close friends can help. Realizing that he may only have about 35 years left, he must figure out his life to ensure happiness and fulfillment. Fate changes everything when he meets a 15-year younger man who shows him that age does not matter, and that maybe his future happiness is right in front of him.
One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.
When the Postables discover an antique vase, they trace it back to three girls who attempted to sell it in to save their family farm. With the farm again facing hardship, the Postables must choose between doing what’s legal and what’s moral.
This film traces the prison life of a group of women who-rather than being prepared to reenter society-are brought to the limits of depravity. Martine, wrongly imprisoned will bear the scars of a prison system wrongly based on punishment rather than rehabilitation.
Punk’s Dead, the sequel to 1999 cult hit SLC Punk, is a punk romp through the Utah hinterlands. Ross, Penny and Crash, young outsiders from different tribes, embark on a road trip to a huge punk show. Ross, 19, is the love child of Trish and Heroin Bob, who died before Ross was born. During their odyssey, and with the help of a healthy dose of drugs, alcohol and punk music, Ross shreds his darkly Gothic outlook and embraces life. His mother Trish, who raised Ross alone in her steam punk shop, discovers that he is in a crisis. She recruits his ‘uncles,’ Bob’s old SLC gang, to help find him. When all collide at the concert, they are forced to deal with their unresolved relationships with Bob.
Teenage Elsa has leukemia, and she needs a bone marrow transplant immediately. The only compatible donor? Someone she’s never met and whose name she doesn’t even know: her father. But thanks to Edo, a boy her age she met in the hospital, outgoing and irreverent, she decides to go on and find that man. Apparently, Elsa and Edo have nothing in common except for the illness they both share, but the journey they embark on together will change their lives forever.
When his hard-earned kicks get snatched by a local hood, fifteen-year old Brandon and his two best friends go on an ill-advised mission across the Bay Area to retrieve the stolen sneakers.
Blind and deaf sisters, Anna and Beth, live happily in a secluded small town with Father. However, when a neighbor stops by, Anna and Beth begin to realize their loving father’s mental health has been deteriorating their entire lives.
