This film adaptation of Irving Berlin’s classic musical stars Betty Hutton as gunslinger Annie Oakley, who romances fellow sharpshooter Frank Butler (Howard Keel) as they travel with Buffalo Bill’s Wild West Show. Previously off target when it comes to love, Annie proves you can get a man with a gun in this battle-of-the-sexes extravaganza, which features timeless numbers like “Anything You Can Do” and “There’s No Business Like Show Business.”

The year is 1173. England and France are at war. The destiny of the two great powers has never been so intertwined. As King Henry’s wife, Queen Eleanor, is captured and imprisoned by the king himself, Richard and his brothers lead the fight against their father in a heartless war. Allegiances shift with each victory or defeat as the destinies of England and France keep swaying in a delicate balance.

Every machine needs fuel…. Every machine needs repair… Every machine breaks down.

Florent, a 23 year-old Parisian, meets Alessia, a lost American girl from Texas in the streets of Paris, by random chance. At an important crossroad of their lives – both characters have just graduated from college – Alessia and Florent are torn between the possibilities that lie before them in today’s globalised world and the limitations and responsibilities which come with adulthood in the face of global economic turmoil. Florent dreams of America; Alessia dreams of France, her mother’s unfulfilled wish. Through their interaction with Marion and Louis, Florent’s best friends, Coralie, his ex-girlfriend, and Thomas, a waiter they meet in Normandy, our characters learn about the world they live in. A world that brings them much questioning. A world of their generation.

After his latest film bombs, Producer Max Barber creates a new film, all to kill his lead, Duke Montana, in a stunt for insurance. But when Duke is unable to be killed in a basic stunt, Max puts him into more dangerous situations.

When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.

After 11 years in a Mississippi state prison, Russell Gaines struggles to leave his past sins behind him as he returns home to his stoic father, Mitchell. One fateful night he meets Maben, a young mother with nothing but a stolen gun and a murdered police deputy to her name. Desperate and on the run, Russell and Maben must trust one another to escape their own circumstances, before the truths of their intertwined violent past threatens to destroy them.

A heartbroken young man decides to walk 4000km up the coast of Western Australia naked, for charity, with the secret goal of making his ex-girlfriend jealous.

A man whose girlfriend was murdered takes revenge during the course of a single night. A spiral of shocking violence leaves no room for words. A man, his woman, three criminals and the distorted sounds of a city are the only reference.

Ryuzo and his 7 former henchmen are all retired yakuza, but they now live as regular old men. One day, Ryuzo becomes the victim of a phishing fraud. He calls his 7 men together to reform their society.

The end of one journey only marks the beginning of another as Detective Loomis returns to uncover the truth behind the Legend of Pitchfork.

A sudden loss disrupts Carol’s orderly life, propelling her into the dating world for the first time in 20 years. Finally living in the present tense, she finds herself swept up in not one, but two unexpected relationships that challenge her assumptions about what it means to grow old.