MATTHEWS tells the incredible true story of the life and career of a man considered by many to be the greatest soccer player of all time, Sir Stanley Matthews.
You May Also Like
Unveils the exploitative world of high-revenue college sports through the stories of young men at varying stages in their athletic careers.
Documentary which uses the latest, most detailed imagery to reveal the monthly life cycle of the moon. From Wales to Wyoming, Hong Kong to Croydon, the programme finds out how the moon shapes life on Earth, as well as exploring its mysterious dark side and discovering how the moon’s journey around Earth delivers one of nature’s most awe-inspiring events – a total solar eclipse. And at the end of a remarkable year of lunar activity, we find out why so many supermoons have been lighting up the night sky.
Ride along as Zedd explores new territory with his latest album, ‘True Colors,’ and get a behind the scenes look at everything from making the album, the most ambitious EDM arena tour in history, and a series of intimate fan experiences you won’t believe.
From the birth of jazz to the evolution of hip hop; the advents of urban trends to transformative advances in technology, African Americans have played an integral role in molding American culture. Unfortunately, we tend to not be the beneficiaries of our own innovation. Bleaching Black Culture examines the continuum of America’s black cultural appropriation and effects on the African American community.
Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?
Ten easy steps show you how to make money from drugs, featuring a series of interviews with drug dealers, prison employees, and lobbyists arguing for tougher drug laws.
Six girls coming of age, ready to become something extraordinary.
Comprised entirely of archival footage taken during those pre-reality-television years, The Reagan Show looks at how Ronald Reagan redefined the look and feel of what it means to be the POTUS.
Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid
Three men enter the new wild west of baby making, online forums where sperm donors connect with hopeful parents, but find themselves exchanging more than just genetic material.
Villa Empain was a passion, a vision, a plan, a home, an artwork. It is a heartfelt dream that was abandoned. Villa Empain, today, looks like it did in the 1930s, but it has turned into another entity held by the same fundament. The film compares the life of Louis Empain and his creation. It bears witness to how a fixed idea, an architect’s dream, disappears in favour of a living architecture.
