“Doug,” a deeply personal hour of insane hilarity named after a terrible person, is Braunger’s masterwork. Covering his new fatherhood, an appreciation of hot dudes, his marriage to a pirate woman, driving from LA to Boston with his family during the pandemic, and culminating in the reveal of a regrettable butt tattoo, “Doug” is a special for everyone who needs a laugh.
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The script, which was written on a day-to-day basis as the film was being shot, concerns the adventures of a motley crew of swindlers and ne’er-do-wells trying to lay claim to land rich in uranium deposits in Kenya as they wait in a small Italian port to travel aboard an ill-fated tramp steamer en route to Mombasa.
The recently divorced father of a nine-year-old, furious his daughter can’t spend her birthday with him, bursts into her classroom with a birthday cake and a rifle. A hostage crisis ensues, and the mayor of the town in which the events take place will try to use the situation to gain advantage ahead of the elections, stopping at nothing. The son of a young policeman is in the same class, and before the events unfold, he’ll have to answer a question as well.
This time, the rivals team up to help a cowgirl and her brother save their homestead from a greedy land-grabber, and they’re going to need some help! Jerry’s three precocious nephews are all ready for action, and Tom is rounding up a posse of prairie dogs. But can a ragtag band of varmints defeat a deceitful desperado determined to deceive a damsel in distress? No matter what happens with Tom and Jerry in the saddle, it’ll be a rootin’ tootin’ good time!
There is no “Heartbreak 101” or Graduate-level Backstabbing Courses on the syllabus, and nothing covered in a classroom can prepare you for the harsh realities of the real world.
Comedian Bill Burr talks male feminists, outrage culture, robot sex, and cultural appropriate in this standup comedy special shot in London.
Ben and Annie are a young couple on a weekend trip to Annie’s small North Carolina hometown who, after meeting a charming old friend, embark on an impromptu ‘Bigfoot hunt’ that threatens both their relationship and their lives.
A young man searches for his identity deep in the Amazon jungle, while living among the tribe that murdered his grandfather decades earlier. The Grandfathers is a motion-graphics documentary completing Jim Hanon’s inspiring trilogy begun with Beyond the Gates of Splendor and followed by End of the Spear. These films were produced by Mart Green. Jesse Saint struggles to find his place in a world dominated by the memory of a famous grandfather he never knew and a heroic father he could not understand. Years spent living among the Waodani and befriending the three old men who took part in his grandfather’s murder teach Jesse the healing power of dignity, respect and forgiveness. In the jungle, Jesse must confront his family’s past as he determines his own future. This documentary is a moving tribute to a young boy’s quest for significance and wholeness, and its imprint on three old men, who, unwittingly, are on a quest of their own.
A history of rivalries: Madrid and Catalans, parents and children, couples, families … all united and faced by football.
Seemingly opposite street hoopers, Jeremy, an injury prone former star, and Kamal, a has-been prodigy, team up to take one final shot at living out their dreams.
Will Freeman is a hip Londoner who one day realizes that his friends are all involved with the responsibilities of married life and that leaves him alone in the cold. Passing himself off as a single father, he starts to meet a string of single mums, confident in his ability to leave them behind when they start to ask for a commitment. But Will’s hope of a continued bachelorhood is interrupted when he meets 12-year old Marcus, in many ways his complete opposite.