Mater is a film about the struggle between love and law; about social differences and distances that these generate. And about love, that crosses all, allows all: both good and evil.
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A marriage. A re-marriage. A pending divorce. It’s been five years since Kukoo and Nainaa got married after knowing each other practically all their lives, and now they need to break it to their family that they want a divorce. Kukoo’s parents, Bheem and Geeta, a couple that everyone looks up to, have no plans of making Kukoo and Naina’s lives easier. They have their own plans and set of surprises in store for the young couple; all this in the middle of Kukoo’s sister’s wedding.
Abandoned by her mother, young Ichiko leaves her life in the city to live off the land in Komori, a small town nestled among the mountains in rural Japan. Despite the void left by her mother’s disappearance, Ichiko comes to enjoy her independence and revels in her new-found connection with food and the elements. Visually luxuriant, this film follows Ichiko through one summer and autumn, as she learns to use and respect the time-honoured wisdom of rural folk and read the cycle of life and connectedness in the environment around her.
A lady has her prim and proper life turned upside down after discovering her husband’s affair.
When Holly’s dark secret is accidentally uncovered by her new emotionally unstable neighbor Tom, they are pulled into a violent confrontation with her father, who will do anything to keep the secret hidden.
Three children play games in the wild garden of a country house surrounded by woods. The elder sister says Mummy and Daddy will be home soon as she reads her younger brother and sister frightening fairy tales. But where are their mother and father? Why have such young children been left at home alone?
Every day for divorced (Wendi McLendon-Covey) is like the movie Groundhog Day – mundane and every day just like the previous. But when new prisoner Casey White (Rossif Sutherland) is brought to her facility, the two develop a secret infatuation. Vicky gives Casey special attention, believing he’s the only man to see her the way she wants to be seen. But when Casey’s inevitable transfer to a lengthy prison sentence approaches, Vicky decides to take desperate action. Risking everything, Vicky manages to break Casey out of jail and takes him on the run, eluding authorities on an eleven-day dash for freedom. For Vicky, even the probable tragedy ahead of them is worth the chance to live life fully once more.