It is pertinent you boycott dire decisions in dilemma, hatred is the power house of destruction. Mandy a lady blessed with treasure flips around seeking for possible reach to enslave Melvin her brother in-law, but forgets that a dirty game could be detrimental to the game planner.

With only three days to prove his innocence, a struggling ex-soldier (Derek Davenport) is forced to take one last job and save his client’s kidnapped daughter (Amelia Haberman) or face time for a crime he did not commit.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

As the demand for raw silk goes sky high, crooked businessman Wallace Myton corners the market with plans to drive up the price. Determined to fulfill his contracts, manufacturer Donald Kilgore imports $3 million worth of silk to Seattle and accompanies it by special train to New York. But when his secretary is found murdered, Kilgore soon discovers Myton has planted three killers on board with orders to stop the express and its passengers dead in their tracks.

A woman moves into an apartment in Manhattan and learns that the previous tenant’s life ended mysteriously after they fell from the balcony.

A woman married to a wealthy socialite, is compromised by the accidental death of a man who had been romantically pursuing her, and is forced by her mother-in-law to assume a new identity to save the reputation of her husband and infant son. She wanders the world, trying to forget her heartbreak with the aid of alcohol and unsavory men, eventually returning to the city of her downfall, where she murders a blackmailer who threatens to expose her past. Amazingly, she is represented at her murder trial by her now adult son, who is a public defender. Hoping to continue to protect her son, she refuses to give her real name and is known to the court as the defendant, “Madame X.”

Based on the true story of Frank Mitchell who was sprung from Dartmoor Prison by the Krays 10 days before Christmas 1966. Whilst a national manhunt ensued, he was holed up in a flat in East London with a minder and hostess for company. ‘The Mad Axeman’ is a gripping suspense crime thriller.

A cowboy is accused of his father’s murder.

After a long night with his old war buddies, Andres Lapeteus regains consciousness in the hospital. How has confusion, bewilderment and alienation developed between these men who once fought together side by side? Is this the inevitable result of the Stalinist regime, the influence of his social climber wife, or the effect of his personal cowardliness and conformism? What happened to Andres Lapeteus?

Just as Stella enters the exciting world of adolescence she discovers that her big sister and role model Katja is hiding an eating disorder. The disease slowly tears the family apart. A story about jealousy, love and betrayal told with warmth, depth and laughter – on and off the ice.

Wanting to leave their dystopian world behind for a faraway paradise, three outlaws plot a money heist — and draw the attention of a vicious killer.

A Chance in the World is the unbelievable real life story of Steve, a wounded and broken boy destined to become a man of resilience and vision. From the day he is five-years-old and dropped off at his foster home of the next eleven years, Steve is mentally and physically tortured by Betty (his foster mother), Willie (her husband) and his foster siblings. Desperate for a sense of family and belonging, Steve searches for his biological parents, but no one in the system can help him. No one can tell him why, with obvious African-American features, he has the last name of Klakowicz.