There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

One man’s journey to wealth and success comes at a higher price than expected.David finds himself in a frantic fight to save him and the people he loves over one unforgiving secret. The cost of carrying this secret may just cost him everything.

An overlooked pencil-pusher catches her husband in bed with another woman, the shock of which causes him to die of a heart attack. So she buries his body and takes advantage of the growing celebrity status that comes from having a missing husband. But she quickly finds herself in over her head, dodging cops and criminals, all while trying to keep the truth from her sister, a local news anchor who’s desperate for a story.

Dae-guk, a nosy man from Apgujeong, and Ji-woo, a cold but skillful plastic surgeon, open a plastic surgery business in Gangnam. Dae-guk is an unemployed man who likes to pry into other people’s businesses.

The year is 1575 in feudal Japan. Oda Nobunaga’s (Kippei Shiina) forces defeat Takeda Katsuyori, when Nagashino Castle was besieged during the Battle of Nagashino. The next year Oda Nobunada decides to build a lavish new castle symbolizing his unification of various factions. The castle named Azuchi Castle will be built near water and high enough to be seen from the capital city of Kyoto. Director Mitsutoshi Tanaka’s adaptation of Kenichi Yamamoto’s novel of the same name received the 33rd Japan Academy Film Prize for Excellent Art Direction.

In a post-zombie world, where the infected live normal lives, their retroviral drug is running out.

An “Urban American Graffiti” tale of choices, consequences, redemption and faith all woven into a gritty framework of tested relationships.

Nicaragua, today. Eleven-year-old María lives with her mother Lilibeth on the edge of an immense rubbish dump. Their future depends on selling a litter of purebred puppies to a local gang member. When the deal falls through, Lilibeth has to move to the outskirts of the city and leave María to work at a recycling factory. The days go by with no sign of her mother’s return. María feels abandoned, confused and angry. One night she meets Tadeo, a kind and romantic boy determined to help her find her mother.

A man is released from prison and finds the society on the outside less than appealing. With several women as well as the police on his tail, he sets out to find an old friend.

Burned out from the hubbub of the Chicago gallery world, artist Kelly returns home to the picturesque Grand Valley just in time for Christmas. Leo, businessman and all-star dad to his children, struggles to balance his time this holiday season. When he is assigned to review a hotel in Grand Valley for its value, he sees this as the perfect opportunity for a Christmas family vacation. It isn’t long until Kelly and Leo’s worlds collide.

A young woman is forced to reflect on her first relationship when she inadvertently moves into her ex boyfriend’s apartment building.

With an honest job and a loving wife, Nick Brenner believed he had safely escaped his violent, criminal history. But his old crew hasn’t forgotten about him or the money he stole, and when they take what Nick now values the most – his wife – he has nothing left to lose. Confronted by the town sheriff, who is also his father-in-law, Nick must decide if he will stay on his new path or indulge in his need for revenge and force his enemies to pay for what they have done.