The Farmer Germund is planning a wedding between his daughter Marit and Mats, the son of a neighboring farm. Everything seems to be going according to plan until Marit meets the fiddler Jon, an illegitimate son who enchants the youth with his violin.

Julia, an online vlogger from Germany, comes to the US to visit her cousin Hannah. Upon her arrival, Julia falls fatefully ill, prompting Hannah’s suspicion of the strange and sudden illness. When unusual happenings start taking place in her home, Hannah begins a relentless internet search to discover the cause. She comes across Julia’s vlog entries and finds herself immersed deep in the web – too deep – in a place where terror knows no end.

MIDNIGHT SON is the story of Jacob, a young man confined to a life of isolation, due to a rare skin disorder that prevents him from being exposed to sunlight. His world opens up when he meets Mary, a local bartender, and falls in love. Tragically, Jacob’s actions become increasingly bizarre as he struggles to cope with the effects of his worsening condition. Forced by the disease to drink human blood for sustenance, he must control his increasingly violent tendencies as local law enforcement narrow their focus on him as a suspect in a series of grisly murders.

A team of satellite technicians enter the woods to repair a communication station but they are forced to rescue the crew of an airplane that crashed near a lake. They quickly realise that something may be coming from the lake that is affecting their minds and the passing of time. As they lose their inhibitions their most primal desires take hold. Lured on by the unseen entity it seems that only one of the team is permitted to bond with it and so be reborn in a new physical body. A terrifying game of strategy not to survive, but rather to die with the promise of life anew.

Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them.

From abject poverty to becoming a ten-time boxing world champion, congressman, and international icon, Manny Pacquiao is the true definition of a Cinderella story. In the Philippines, he first entered the ring as a sixteen-year-old weighing ninety-eight pounds with the goal of earning money to feed his family. Now, almost twenty years later, when he fights, the country of 100 million people comes to a complete standstill to watch. Regarded for his ability to bring people together, Pacquiao entered the political arena in 2010. As history’s first boxing congressman, Pacquiao now fights for his people both inside and outside of the ring. Now at the height of his career, he is faced with maneuvering an unscrupulous sport while maintaining his political duties. The question now is, what bridge is too far for Manny Pacquiao to cross?

Troubled teen Will Hawkins has a run-in with the law that puts him at an important crossroad: go to juvenile detention or attend a Christian summer camp. At first a fish-out-of-water, Will opens his heart, discovers love with a camp regular, and sense of belonging in the last place he expected to find it.

A remake of the 1927 horror film “The Wizard”. Dr. Larry Forbes arrives in a remote French village to visit his fiancée who lives with her scientist father Dr. Renault and his Ape-like manservant Noel. Several Murders coincide with Dr. Forbes arrival, with clues pointing in multiple directions.

“Cowboy Up” is a celebration of the risk-taking, daredevil personalities of modern rodeo. In the world of professional bull riding, newcomer Ely Braxton (Marcus Thomas) is the craziest guy around; his brother Hank (Kiefer Sutherland) is a rodeo clown, and the two use each other to play up their acts. But love may be one thing that tears the brothers apart. When Ely falls for the rodeo’s sweetheart (Daryl Hannah), Hank is filled with jealousy and hatred. The brothers try to come to grips with their differences, but the competition gets as fierce as the bulls in the ring.

Santa Claus tries to outrun a gang of knife-wielding youth. It’s one of several vignettes of Palestinian life in Israel – in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in the hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn’t.

A conservative Midwest businessman ventures into the sordid underworld of pornography in California to look for his runaway teenage daughter who is making porno films in the porno pits of Los Angeles.

“1982” is a life-affirming coming-of-age tale set at an idyllic school in Lebanon’s mountains on the eve of a looming invasion. It unfolds over a single day and follows an 11-year-old boy’s relentless quest to profess his love to a girl in his class. As the invasion encroaches on Beirut, it upends the day, threatening the entire country and its cohesion. Within the microcosm of the school, the film draws a harrowing portrait of a society torn between its desire for love and peace and the ideological schisms unraveling its seams. In his debut feature, director Oualid Mouaness delivers an ode to innocence in which he revisits one of the most cataclysmic moments in Lebanon’s history through the lens of a child and his vibrant imagination. The film demonstrates the complexities of love and war, and the resilience of the human spirit.