Recently widowed fifty-something Margaux looks to start chapter two. Moving in with her sister, she re-enrolls at university for pursuits she’d never realized. However, Margaux begins to experience another kind of awakening, the compulsions of which begin to take over.
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A day in the life of an unfaithful married couple and their steadily deteriorating relationship in Milan.
Story of a mentally ill young man attempting to come to grips with his haunting past by seeking solace and understanding in the unfamiliar Eastern culture of Thailand.
For as long as she can remember, 16 year-old Gracie has been raising her four siblings, each of whom has a different, absent father and their mother is on the fast track to self-destruction. When these children’s lives are about to be pulled apart, Gracie will have to do the impossible and make the ultimate sacrifices to keep her family together.
Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It’s not until this foursome is forced to look for an additional guitar player after Jin’s dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R’n’R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band’s true hero.
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