A family living in Marfa, Texas attempts to pull themselves back together after a horrific tragedy. This provocative sequel to Larry Clark’s film Marfa Girl, shows us a group of people ready to escape their current realities – no matter the cost. Gritty, unrelenting and powerful, auteur Clark once again delivers a bleak landscape of sex, drugs and boredom amongst the residents of a dead-end Texas Border town.
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A young couple, Mary and PJ, are kidnapped in their own home by a sadistic clown who wants to break their spirits and sell them into servitude to a cult of wealthy deviants. Mary holds onto her humanity through trial after trial, desperately looking for a way to escape her torment and rescue PJ from his own madness. But time is running out — and auction day is coming…
A divorced, retired painting teacher from Shanghai falls in love with a woman who is also divorced. The involvement of his ex-wife and a student of his makes the whole thing complicated.
Will Graham, a former London crime boss who has left his former life to live as a recluse in the forest. Haunted by the blood of those he has murdered, Will wishes never to return. But when his brother commits suicide, following a sexual assault at the hands of a volatile car dealer, Will returns to London to discover the cause of his brother’s death and administer justice to those responsible.
In the summer of 1987, a college graduate takes a ‘nowhere’ job at his local amusement park, only to find it’s the perfect course to get him prepared for the real world.
While former paramedic Emily tries to live a low-key life to cope with her PTSD, her new roommate has other plans, and a long-held vendetta against medical personnel.
Jin, a widowed mother living alone in a village, is diagnosed with a brain tumor. Her daughter fights tooth and nail to get her the best treatment while her son encourages the family to embrace the reality of death. Circumstances send the three characters on an existential journey on the rivers of the past. Chen’s sensitive debut feature is a film about homecoming and farewells, and was awarded Best Screenplay at the Shanghai International Film Festival.
This is a story about a romantic journey of a culturally opposite couple – Krish Malhotra and Ananya Swaminathan. They meet at the IIM-Ahmedabad College and during the program they fall in love. Complications arise after the program comes to an end and they decide to get married. Krish and Ananya belong to two different states of India. Krish, a North Indian Punjabi boy from Delhi, and Ananya, a Tamilian Brahmin from Chennai. They take a conscious decision; they won’t get married until their parents agree. Everything goes downhill when the parents meet. There is a cultural clash and the parents oppose the wedding. To convert their love story into a love marriage, the couple faces a tough battle in front of them. For it is easy to fight and rebel, but much harder to convince. Will Krish and Ananya’s love for each other sustain the battles? Will they manage to convince their parents and make it to their wedding? The film thus is a humorous take on inter community marriages in India.
Frankie McGuire, one of the IRA’s deadliest assassins, draws an American family into the crossfire of terrorism. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O’Meara, a New York cop who knows nothing about Frankie’s real identity. Their surprising friendship, and Tom’s growing suspicions, forces Frankie to choose between the promise of peace or a lifetime of murder.
Bassley, a Nigerian footballer living in Vietnam, has been unable to make a living since he broke his leg. He and four middle-aged women he sometimes works for decide to escape the disappointment of their daily lives. They go to an old house where together they create a special world for themselves. But this intimate utopia cannot last forever.