Second film of the Mardock Scramble series. Balot and a severely injured Oeufcoque seem to be at the mercy of an obsessed Boiled. Dr. Easter comes to the rescue and the group escapes to “Paradise” where many secrets of Mardock lie and where Balot will need to come to a decision herself about what she will and can do.
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Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.
During a visit to friends, Sara begins having visions and is attacked by an unearthly creature in her friend’s swimming pool; she soon discovers that anyone who comes into contact with the water is in danger and she is driven to confront the mystical and malevolent creature lurking in the depths
Jack wants to prove to his wife Alma, that he is a new man after his drug abuse and time spend in prison. He is offered new job as a night watchman of an old mine complex, which he accepts without a question. What no one knows that the dark place holds a disturbing secret that will fill their lives with terror.
A paleontologist gets a tip from an oil worker in the Badlands that may set her career back on track.
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Anger stemming from being abused as a child drives an alcoholic’s daughter to kill as an adult.
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