Just a Little Harmless Sex examines a young married couple that faces a serious break-up when the husband is caught committing adultery with a prostitute.

You think your neighborhood has drama? Meet Crokaman Bans. He just got cheated out of $7,000 from a scratch off ticket. To make matters worst the whole neighborhood is out of control. From his crazy nephews to the stick up kids on…

Madea winds up in the middle of mayhem when she spends a hilarious, haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls, and zombies while keeping a watchful eye on a group of misbehaving teens.

What does a lifetime of service get you? That’s what Inès (Jasmina Douieb) wants to find out. As the long-time office manager for EcoCleanPro Cleaning Supplies, she’s the only woman on staff in this very sexist office. She does whatever it takes to keep things running – even if it means replacing toilet paper her male coworkers can’t seem to do themselves. After the regional manager’s visit reveals abysmal numbers in gender pay equity at EcoCleanPro, Inès wants her dedication to pay off with a raise. Unfortunately, her request is rejected by her incompetent boss Patrick (Peter Van den Begin) and, fueled by the unfairness and under the watchful eye of Melody (Laetitia Mampaka), the new intern, Inès redoubles her efforts for compensation. When her history with Patrick rears its ugly head and leads to an accident, all hell breaks loose, and the two women must combine troubleshooting skills for possibly the biggest mess of their lives.

Catherine Tate’s iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan’s present with her past where we finally find out what’s made her the cantankerous old bastard she is today.

It’s South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it’s Spud Milton’s first year at an elite boys only private boarding school. John Milton is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home. Along the way Spud takes his first tentative steps along the path to manhood. (The path it seems could be a rather long road). Spud is an only child. He is cursed with parents from well beyond the lunatic fringe and a senile granny. His dad is a fervent anti-communist who is paranoid that the family domestic worker is running a shebeen from her room at the back of the family home. His mom is a free spirit and a teenager’s worst nightmare, whether it’s shopping for Spud’s underwear in the local supermarket

A background actor struggled to be a main cast but keep failing, until he met an extra actress, their life together changed.

Kathleen Madigan’s stand up special.

Drake and Josh are left home alone while their mom and dad leave on a ten-day cruise. But they have to take Megan to the airport in order to be ‘entirely’ left alone. Megan has to go to Colorado to meet her. Drake gets her a ticket to go not to Colorado, but to Los Angeles. Drake and Josh try to stop the plane, but are stopped by security guards. Then, they buy tickets to go to LA. When they’re on the plane, Drake sits next to some cute girls, while Josh sits next to some very annoying people. In the middle of the flight, Josh decides to go to a different seat. Josh sits next to a man that has a G-0. He doesn’t notice that the G-0 contains codes to run the money machine that he saw on the news. The annoying lady walks up to the front near Josh while there is turbulence. The lady falls on Josh, mixing up the G-0’s.

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A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.