A coming of age story told through the eyes of a young girl whose family spirals out of control after they decide to live off the grid.
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Ellie tries to mend her marriage with her husband Marcus after a brief encounter with an old friend, David, only to find that David is more dangerous and unstable than she’d realized.
Eddie is suffering from no longer living with Karine and their son Noam. One night walking home drunk, he gets mugged and badly injured. Suddenly, Eddie becomes a hero to his son and the victim of a vicious crime to his wife. He is asked to move back home, and is offered a new job.
But when Ahmed, the perfect scapegoat for the attack, is charged, the gravitas of his accusation sucks Eddie into an infernal spiral of self-doubt and lies, marking the start of a dangerous freefall.
John Canyon is one of the last independent space transport entrepreneurs. Rough times force him to carry suspicious cargo to Earth without questions being asked. During the flight the cargo turns out to be multitude of unstoppable and deadly killer robots.
Barney, Christmas and the rest of the team comes face-to-face with Conrad Stonebanks, who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill… or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables — but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables’ most personal battle yet.
Upon hearing of his mentor’s impending death, haggard musician Kino Warren begins a journey on foot across country, and through a place not of this world referred to as “the territory”. Kino believes wholeheartedly that the mentor cannot die until he arrives. On his journey, Kino is unaware several people are on his tail – varyingly malicious and politically involved – in search of the only-known recording of the greatest piece of music ever made, a piece supposedly capable of taking away all pain within the listener – created by his mentor, and in his possession, completely unbeknownst to him.
Natalie and Nick are frustrated with their luck in romance. After tossing coins into a fountain, the two then begin dreaming about each other. But, according to fountain mythology, they only have a week to turn those dreams into reality.
Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie’s staunch support? Literally and figuratively, the proof is the picture.
Sinaloa hitchhikes into Texas to meet Merle, her half-sister by way of their dead country musician father. As the two get to know each other, Sinaloa’s chaotic influence starts to unravel Merle’s quiet, comfortable life. While the family music legacy brought Sinaloa to Austin, she won’t leave without taking revenge against the people who stole her daddy away years ago.
South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.
