Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.

Vietnam veteran ‘Four Leaf’ Tayback’s memoir, Tropic Thunder, is being made into a film, but Director Damien Cockburn can’t control the cast of prima donnas. Behind schedule and over budget, Cockburn is ordered by a studio executive to get filming back on track, or risk its cancellation. On Tayback’s advice, Cockburn drops the actors into the middle of the jungle to film the remaining scenes but, unbeknownst to the actors and production, the group have been dropped in the middle of the Golden Triangle, the home of heroin-producing gangs.

Five outcasts, lead by a rebellious transgender male, escape a private treatment program, go on a life-changing road-trip, and discover they have a lot more in common than they ever imagined.

Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister’s family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot’s sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.

It’s a long hot summer for Charlie Boyd. He’s sixteen, his hormones are raging and he’s just found out his mother is having an affair with his father’s best friend. One thing takes his mind off his problems, the mysterious woman down the street who has visitors day and night, and has just advertised for a gardener. But she is forgotten when a tragic family event tumbles Charlie into a world of pain, a pain so intense Charlie thinks no-one can help him. He’s wrong. Someone can. Maggie, the beautiful French stranger. She’s a professional, and she specialises in pain. Giving it, exploring it, sharing it, all for money. So Charlie falls in love, and despite herself so does she, drawn to this troubled boy who takes all the pain she can give and uses it to heal himself. And as Charlie heals, he turns that healing back onto her, his Mistress.

This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi

During Chinese New Year, security guard Ah Beng (Jack Lim) receives a call from his company. He is asked to cancel his Lunar New Year holiday for a simple mission, which infuriates him. However, Ah Beng immediately changes his mind knowing that the mission promises a handsome reward of RM1 million.

A writer for a greeting card company learns the true meaning of loneliness when he comes home to find his girlfriend in bed with another man.

High school kid, Thorvald, embarks on an effort to change the name of his school’s sports and academic teams from the “Vikings”, to something less offensive to Norwegians. It’s a love story.

A roving bachelor gets saddled with three children and a wealth of trouble when the youngsters stumble upon a huge gold nugget. They join forces with two bumbling outlaws to fend off the greedy townspeople and soon find themselves facing a surly gang of sharpshooters.

Robot mercenaries are sent on a mission to activate a machine that will bring about a new age of enlightenment.

Scareycrows is a comedy horror about a trainee hairdresser who discovers that her boyfriend is keeping a dark secret. Soon her world crashes around her as the quiet seaside town where she was born is overrun by homicidal scareycrows.