Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.

With a wealth of fantastic archive footage and a series of revealing interviews with those who had first-hand experience, filmmaker Vicki Lesley tells the turbulent story of the West’s love-hate relationship with a nuclear power over the past seventy years. Capturing both the tantalising promise and the repeated disappointments of this singular technology, the film reveals how the post-war, romantic fantasy of an Atom-powered future developed into the stormy, on-off relationship still playing out today. A tale of scientific passion and political intrigue all wrapped up in the packaging of a sentimental screen melodrama.

Fresh Dressed chronicles the history of Hip-Hop | Urban fashion and its rise from southern cotton plantations to the gangs of 1970s in the South Bronx, to corporate America, and everywhere in-between. Supported by rich archival materials and in depth interviews with individuals crucial to the evolution of a way of life–and the outsiders who studied and admired them–Fresh Dressed goes to the core of where style was born on the black and brown side of town.

The twists and turns of the tragic road trip through the lens of Gabbyandapos;s social media presence. Told by both the people who knew her best and a community of online strangers and cyber-sleuths who ended up banding together to ultim…

Diana The Woman Inside highlights Diana as a woman and mother, rather than just a tragic icon.

James Cameron teams up with NASA scientists to explore the Mid-Ocean Ridge, a submerged chain of mountains that band the Earth and are home to some of the planet’s most unique life forms.

James gives himself 12 months before he has ‘a license to kill himself’, he sets off to the amazon rainforest with hopes of finding a shaman who can save his life.

On July 31, 1970, in Las Vegas, Nevada, Elvis Presley staged a triumphant return to the concert stage from which he had been absent for almost a decade. His series of concerts broke all box office records and completely reenergized the career of the King of Rock ‘n’ Roll.

A documentary about actor/director Dennis Hopper, showing him at his home and studio putting together his film “The Last Movie.”

On a remote coast of the Russian Arctic in a wind-battered hut, a lonely man waits to witness an ancient gathering. But warming seas and rising temperatures bring an unexpected change, and he soon finds himself overwhelmed.

Mama/M.A.M.A.: Munchausen’s Syndrome by Proxy is the provocative investigation of Munchausen’s Syndrome by Proxy, a perplexing psychological disorder where a mother secretly but deliberately harms her child in order to get the sympathy and praise of others and the attention of the medical community. The film — made over the course of three years and two continents — scrutinizes the scientific research surrounding the diagnosis of Munchausen’s and, in doing so, questions the very diagnosis itself. The filmmakers document the struggles of three average families battling the charge of Munchausen’s with various, tragic results.

The music speaks for itself in this performance documentary that highlights some of the biggest names within the country-folk scene in Texas and Tennessee during the last weeks of 1975 and the first weeks of 1976, eschewing narration and staged interviews.