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Two guys, one of them a magician, are transporting an ancient chinese vampire who can only be controlled by a series of yellow tapes, and is the ancestor of the other guy. On the way, while flying over Africa, their plane stalls. And of all places, where do they land? That’s right, in the village of the tribe of “The Gods Must Be Crazy”.

A disgraced basketball coach is given the chance to coach Los Amigos, a team of players who are intellectually disabled, and soon realizes they just might have what it takes to make it to the national championships.

Set in Tangier, Traitors tells the story of Maika, a calm, conservative girl by day and a leader of an all-girl punk group by night.

COMIX is a feature documentary on comic books, the comic book world, and the phenomenon surrounding them. It is told through the thoughts and images of some of the greatest talent in the comic book industry like Stan Lee, Frank Miller, Neal Adams, Mark Waid, Marc Silvestri, and John Romita Jr., among many others. COMIX also has tons of interviews with the fans, many in full costumes, as they share their love for the art form, and who have made comics the phenomenon that it is today.

Twenty-year-old Cal returns from France to Britain after receiving news that his mother is ill. His finds his home city of Bristol facing hard economic times brought on by the global economic crisis, with poverty and crime on the rise and rioting and looting almost a nightly occurrence. It is not a warm homecoming as his sick mother remains stubbornly homophobic and wants nothing to do with the now openingly gay Cal while his battered Auntie Jane, now living in a run down council house, dulls her stagnation with welfare funded booze and disturbing attempts to sexually seduce her nephew. Navigating his way across this new landscape he meets a young student who needs his help. However his act of kindness brings him into contact with a lawless drug dealing pimp and a race against time to make peace with his mother and get out of town as quickly as possible. An intense tale of a family mired in poverty, angry and lost but still searching for love, respect and acceptance.

When a lawyer shows up at the vampire’s doorstep, he falls prey to his charms and joins him in his search for fresh blood. Enter Dr. van Helsing, who may be the only one able to vanquish the count.

There live a couple known as ‘100-year-old lovebirds’. As fairy tale’s characters, the husband is strong like a woodman, and the wife is full of charms like a princess. They dearly love each other wearing Korean traditional clothes all the time, and still fall asleep hand in hand. However, the death, quietly and like a thief, sit between them. This film starts from this moment, and follows the last moments of 76 years of their marriage.

A closeted boy runs the risk of being outed by his own heart after it pops out of his chest to chase down the boy of his dreams.

Akash (Ranbir Kapoor) and Kiara (Priyanka Chopra) are trying to find luck in their life after several failed attempts to be successful in their careers and in love. Fed up, they both decide to commit suicide by jumping off a bridge. However, both land up on the same bridge at the same time.

It’s the beginning of the WWII. South of France. Patricia, 18, is the oldest daughter of a well-digger, Pascal, who considers her a princess because of her moral qualities. She’s kind, devoted. One day, she briefly meets a young man, Jacques, the son of Mazel, owner of the shop where her father buy his material. He’s handsome and teasing. Her father’s friend, Felipe, would love to marry her, and he invites her to an aviation show. She accepts his invitation only because she knows Jacques is a pilot and will be there. Soon, she’ll carry his child, and he’ll be gone, and the family will have to deal with this out-of-wedlock pregnancy…

Two wounded souls commiserate through drinking and aimless wandering while acting out the roles of the happy relationships that elude them in reality. Greta Gerwig and Olly Alexander deliver beautifully-tuned comic performances in their portrayal of young adults learning to cope with the unavoidable perils of emotional dependency.