A talented and successful actor retires at a young age due to a perceived mental illness. Now living in a small town with his deranged sister and his best friend, we watch as their Maladies intertwine.
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A young man hits rock bottom as a ride share driver when his car breaks down, his life changes when he magically gets new things every day in his car. If he can only figure out what’s causing it.
O-bok’s eldest daughter is about to get married to an educated, well-off young man, but she’s far from happy. It’s not just hot weather, hot flushes, her daughters’ materialism, her mother’s dementia, her husband’s drinking, or the impending gentrification of the food market where she sells fish – although all of that will push her to take a stand. After trying to cover it up, O-bok reveals to her daughter that she was raped by a fellow stallholder, the man organising the traders against their landlords. Increasingly furious, O-bok eschews the useless police to pursue her own justice, even if it means a physical fight.
Mata, Missy and Makareta. Three cousins. Three lives. Separated by circumstances, yet bound together by blood. Orphaned Mata believes she has no whanau and lives out her lonely childhood in fear and bewilderment. Back home on the land, educated Makareta flees an arranged marriage to study law and begin the search for her missing cousin. She leaves behind cheeky yet dutiful Missy who takes on her role of kaitiaki (guardian) of the land. As the years pass, loss of the family land seems imminent and the women’s promise to bring their stolen cousin home seems more unlikely than ever, until a chance encounter changes everything.
A man who suffers visions of an apocalyptic deluge takes measures to protect his family from the coming flood.
Arn, the son of a high-ranking Swedish nobleman is educated in a monastery and sent to the Holy Land as a knight templar to do penance for a forbidden love.
Aged eight, Victoria spends a night in the home of a wealthy white family; years later, she encounters them again and her life is changed forever.
In Los Angeles, Emily Brown is a kleptomaniac and addicted in pills that misses her father and is having therapy sessions trying to resolve her compulsion. She has a record in the police for shoplifting, and her mother Teresa is a compulsive shopper. The security guard Nick of the Bernstein’s department store sees Emily through a camera and becomes fascinated for her. When Nick gets in trouble dealing ecstasy, he presses Emily to help him in a robber of Bernstein.
Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive figure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm’s world is falling apart around him. In the midst of this crisis, Colm solicits sex from a young man called Jay. This encounter and his growing infatuation has a deep effect on Colm. He finds a comfort in Jay that no one else can provide.
In “Sabotage”, Arnold Schwarzenegger leads an elite DEA task force that takes on the world’s deadliest drug cartels. When the team successfully executes a high-stakes raid on a cartel safe house, they think their work is done – until, one-by-one, the team members mysteriously start to be eliminated. As the body count rises, everyone is a suspect.
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
The Charles Dickens story of Nicholas Nickleby, a young boy in search of a better life for his recently torn-apart family. A young compassionate man struggles to save his family and friends from the abusive exploitation of his coldheartedly grasping uncle.
Blackfella Charlie is getting older, and he’s out of sorts. The intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws that don’t generally make much sense, and Charlie’s kin and ken seeming more interested in going along with things than doing anything about it. So Charlie takes off, to live the old way, but in doing so sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.