MAJOR! follows the life and campaigns of Miss Major Griffin-Gracy, a 73-year-old Black transgender woman who has been fighting for the rights of trans women of color for over 40 years.
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From the beginning of the Earth to our present moment, this film encounters extraordinary projects and people from four continents, economist Kate Raworth, philosopher Roger Scruton and Gaian ecologist Stephan Harding.
Penetrating the oil industry’s secretive world, The Great Invisible examines the Deepwater Horizon disaster through the eyes of oil executives, explosion survivors and Gulf Coast residents who were left to pick up the pieces when the world moved on
The murals of Northern Ireland are an expression of the region’s violent Troubles. ‘The Art of Conflict’ examines these murals through their painters and the people who live there, exploring this unique street art’s impact, purpose, and future.
When a courageous young woman and a radical lawyer discover a pattern of illegal involuntary sterilizations in California’s women’s prison system, they take to the courtroom to wage a near-impossible battle against the Department of Corrections. With a growing team of investigators inside prison working with colleagues on the outside, they uncover a series of statewide crimes – from dangerously inadequate health care to sexual assault to coercive sterilizations – primarily targeting women of color. But no one believes them. This shocking legal drama captured over seven years features extraordinary access and intimate accounts from currently and formerly incarcerated women, demanding our attention to a shameful and ongoing legacy of eugenics and reproductive injustice in the United States.
Donne’s film points out the major features of the tax avoidance landscape: tax havens, brass plates, capital flight, crown dependencies, and the like.
Record-shattering Korean girl band BLACKPINK tell their story — and detail the hard fought journey of the dreams and trials behind their meteoric rise
A Crime on the Bayou is the story of Gary Duncan, a Black teenager from Plaquemines Parish, a swampy strip of land south of New Orleans. In 1966, Duncan tries to break up an argument between white and Black teenagers outside a newly integrated school. He gently lays his hand on a white boy’s arm. The boy recoils like a snake. That night, police burst into Duncan’s trailer and arrest him for assault on a minor. A young Jewish attorney, Richard Sobol, leaves his prestigious D.C. firm to volunteer in New Orleans. With his help, Duncan bravely stands up to a racist legal system powered by a white supremacist boss to challenge his unfair arrest. Their fight goes all the way to the U.S. Supreme Court, and their lifelong friendship is forged.
With a career spanning decades Photographer Rose Hartman is known for her iconic photos from Studio 54 and the fashion world, her boisterous personality, and ever presence capturing the New York social scene. The film follows Rose through her life of entrée as she put the lives of the glamorous and famous on film that serves as one of the few visual histories of NYC.
Documentary portrait of Joy McKean, Australia’s Queen of country music. Follows her performance and songwriting career, decades of touring around Australia, and her marriage of more than 50 years to fellow musician Slim Dusty.
In the world of professional sports, no American athlete ever came back from a mental health disorder….until Ron Artest, now known to the world as Metta World Peace.
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the “Exile” album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It’s music from start to finish: hard rock (“All Down the Line”), the blues (“Love in Vain” and “Midnight Rambler”), a tribute to Chuck Berry (“Bye Bye Johnny”), and no “Satisfaction.”
