After a deadly virus wipes out most of humanity, the survivors are forced to wait alone in self-sustaining bunkers while the viral threat runs its course. Able to communicate through a networked video interface, the survivors wait for years and slowly become a motley family of sorts. But their fragile social ecosystem is shattered when, one by one, they start mysteriously disappearing from their bunkers.

Sci-Fi thriller starring D.C. Douglas, Tom Detrik, Carmela Hayslett

Stranded on planet Vesta Minor, the two surviving crew members of the star craft Vesta-1 perform a series of bizarre rituals using alien flora and fauna in order to achieve… something.

A seemingly chance encounter with an estranged childhood friend draws a bookstore clerk into a plot to steal a time machine.

Alien ship crash-lands on Earth and the creature inside starts taking over people’s bodies.

This movie is a great compilation of the very silliest clips from some of the most awful “bimbo movies” of the past twenty years. It is laughably cheap. The only things added are some subtitles, dubing, and music. Made up from such fine films as “Assault of the Killer Bimbos”. They are stringed together to form a “plot” about aliens. Lots of pointless nudity, but it is somewhat well-paced. Stay for the final credits, which the narrator narrates.

The future of humanity hangs in the balance, as both sides race against time to find the bloodline of Judas Iscariot.

Shelter tells the story of Rin, a 17-year-old girl who lives her life inside of a futuristic simulation completely by herself in infinite, beautiful loneliness. Each day, Rin awakens in virtual reality and uses a tablet which controls the simulation to create a new, different, beautiful world for herself. Until one day, everything changes, and Rin comes to learn the true origins behind her life inside a simulation.

A human girl and her warrior comrades from another world travel to Earth to save humanity from an impending apocalypse.

Danger Death Ray, the funniest of the cheesy spy films that MST had fun with. Former Tarzan Gordon Scott sucks in his gut for this one. Professor Carmichael has developed a death ray “for peaceful purposes only” but a vague group of bad guys want it instead, so he’s kidnapped by doughy guys and taken to their toy sub (via a toy helicopter)Bart Fargo must rescue him cause he’s the only American spy who looks good in womanly sunglasses. Cool music accompanies him as he searches for Carmichael while he must deal with evil Abe Lincolns, a fey bad guy tuned friend of Fargo’s and a couple of women who he must sleep with. In the end the ineffective bad guy gets killed, the professor and the death ray get rescued and Bart gets the woman. There’s also a complex scene with a watch thrown in a pool which symbolizes the amount of time that was wasted on smart screen writing for the movie.

DANGER DOLLS follows a quartet of cute idol singers who moonlight as butt-kicking action heroines. When extraterrestrial invaders threaten the safety of the Earth after an earthquake unleashes them from an alternate dimension, the Danger Dolls become humanity’s only hope for survival. The team infiltrates the evil cult behind the invasion and must use their swords and their fists to smash the invading army.

Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR