A matriarch past the point of a nervous breakdown, her two daughters that don’t give a damn, and the heat-seeking missiles of resentment they toss at each other.
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The Menu is a 2016 Hong Kong drama film about journalism and the sequel to the television series of the same name.
Louie Jeffries is happily married to Corinne. On their first anniversary, Louie is killed crossing the road. Louie is reincarnated as Alex Finch, and twenty years later, fate brings Alex and Louie’s daughter, Miranda, together. It’s not until Alex is invited to Louie’s home that he begins to remember his former life, wife and best friend. Of course, there’s also the problem that he’s attracted to Louie’s/his own daughter.
In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol’s famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.
Billy Hoyle and Sidney Deane are an unlikely pair of basketball hustlers. They team up to con their way across the courts of Los Angeles, playing a game that’s fast dangerous – and funny.
Cultural critic David Kepesh finds his life — which he indicates is a state of “emancipated manhood” — thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Two best friends stuck in boring jobs become bachelor party planners in Budapest.
When her ill mother urges her to take a vacation from her caretaking, grad-school-dropout Leigh invites her ex along on the camping trip. The two soon find that confronting old wounds during a weekend in the woods is anything but restful.
Three separate narratives each following a love story between a foreigner and a Greek. Each story represents a different generation falling in love during a time of socioeconomic turmoil that dominates Southern Europe as a whole, only to connect as a single story in the end.
Behind the magnificent Taj Mahal lies a cluster of dingy homes where Chanda (35), a domestic help, lives with her 14-year-old daughter Appu. Chanda aspires and dreams that her daughter will study and embrace a better fate. When Appu tells her she wants to quit school and become a maid like her, Chanda takes a strong decision: she will herself go back to school, and even join the class of her daughter.
