MAD AS HELL follows Cenk Uygur’s transformation from unknown talk show host on local Public Access TV to an internet sensation with his online news show “The Young Turks,” which has amassed over one billion views on YouTube. Once Cenk ventures from the internet into national television and lands the 6 PM time slot on MSNBC, his uncensored brand of journalism is compromised and Cenk becomes the nexus in the battle between new and old media.
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The final volume of Time Warp digs deep into what makes us laugh over and over again as we reveal the greatest cult comedies and campy classics of all-time. From “Fast Time at Ridgemont High” and “Office Space” to “Monty Python and the Holy Grail,” and “Showgirls.”
A cataclysmic event causes a man, who dreams of winning the lottery, to become stranded on an island with his co-workers.
A slacker trust-fund type finds the motivation to pick up a job as the coach of middle school soccer team
Olive, an average high school student, sees her below-the-radar existence turn around overnight once she decides to use the school’s gossip grapevine to advance her social standing. Now her classmates are turning against her and the school board is becoming concerned, including her favorite teacher and the distracted guidance counselor. With the support of her hilariously idiosyncratic parents and a little help from a long-time crush, Olive attempts to take on her notorious new identity and crush the rumor mill once and for all.
In this tense thriller, Ma Shan (Wen Jiang) is a Chinese police detective who awakes one morning after a night of heavy drinking at his sister’s wedding reception to discover that his gun has been stolen. Since only police officers are allowed to carry firearms, Ma Shan is alarmed about the deadly possibilities of the theft, and he sets out to find his weapon; however, the memories of Ma Shan’s friends are as hazy as his own regarding the wedding, and no one can tell who drove him home. The situation comes to a head when Ma Shan’s former girlfriend arrives in town for a visit and is soon found shot dead with the bullets matching those used in his gun.
19-year old Ah Loong is in charge of a street stall selling pirated VCDs. Ah Loong is an incurable romantic with a unique hobby – he loves to read and write poetry. Quite content to carry on being the Romeo of the slums, Ah Loong’s life takes on a sudden change one day when a 16-year old Malay schoolgirl arrives at his stall in search of Wong Kar-Wai films.
Most horror stories take place in suburban areas, but these three teenagers are about to realize that those are not the only places where these things happen.
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn’t operate on a “happily ever after” basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid – even though she is already promised to a perfect fairy tale prince back home – she has to wonder: Can a storybook view of romance survive in the real world?
With a series of long takes and frontal camera set-ups, Michaeux provides a record of several cabaret acts, using intertitles to separate the individual numbers. This quietly outrageous film begins with the high-toned Heywood Choir singing “Watermelon time” and concludes with Amon David playing a preacher using heavy blackface. Amon Davus was known as “the Back Biting Comedian, Par Excellence”, and his sermon is one of Michaeux’s many notable send-ups of the clergy.
Life goes on in the tunnel of the two buddies and the badger. A life with song, jam and friendly giggles. But one day they are visited by the strict Conductor who wants to throw them out. Tunnels are for trains, not people.
