A matriarch past the point of a nervous breakdown, her two daughters that don’t give a damn, and the heat-seeking missiles of resentment they toss at each other.
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A loser of a crook and his wife strike it rich when a botched bank job’s cover business becomes a spectacular success.
A romantic drama that takes an introspective look into each woman’s life as they go through a series of events that will change them forever.
A 12-year-old cartographer secretly leaves his family’s ranch in Montana where he lives with his cowboy father and scientist mother and travels across the country on board a freight train to receive an award at the Smithsonian Institute.
Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
A barber seeks vengeance after his home is burglarized, cryptically telling police his “Lakshmi” has been taken, leaving them uncertain if it’s a person or object, jeer at his request until they learn what they’re really looking for.
Rattled by the prospect of becoming a dad, a 40-year-old filmmaker begins to consider what “manhood” really means for him, prompting him to pursue an array of interests and reexamine his views — which were shaped by his father.
Dr. Kate Lawrence, a celebrity relationship expert, plans to publicly announce her engagement to Bryan, a handsome and perfectly polished businessman. As Kate prepares to share the news, Bryan shocks her by breaking up with her and calling off the wedding. Wanting to save her from humiliation and protect her public image, Lucas Wright, Kate’s childhood friend steps in and pretends to be Kate’s fiancé.
Jason and his mother, Yun, make big bucks together in Chinatown swindling money out of people since Jason was little. Along with the grocery store owner Andy who took them in since Jason was a baby, they decide to do one last big job. Their target is Mrs. Apple, the founder of Tao Lin, a world renowned porcelain company. Jason pretends to be that rich old granny’s long lost grandson, and Mrs. Apple insists on bringing Jason back to Taiwan, so that Jason can officially reclaim his heritage. In Mrs. Apple’s extravagant house, these foreigners start role-playing to infiltrate the Zong Family. Jason starts to feel the warmth of being a part of a family that he has never felt before. This has greatly affected Team America’s plan, the three of them start to blame and fight each other. Their cover is about to be exposed, but somehow the truth of Jason’s family mystery is revealed..
Henry James’ classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess for two children, Miles and Flora (Nilo Mur and Ella Jones). She is hired by their uncle, the Master (Harvey Keitel), who became the guardian of the youngsters after the death of their parents. While the governess is initially enthusiastic about her job, Miles and Flora soon prove to be quite a handful, and the housekeeper Mrs. Grose (Lauren Bacall), who oversees most of the activities at the Master’s estate, is openly antagonistic to her. Before long, the governess discovers the house bears a dark secret involving Miss Jessel (Dayne Danika), the previous governess, and Fosc (Agusti Villaronga), the Master’s former valet. El Celo was the first feature from director Antoni Aloy.
Liezl, an ambitious agent, learns that her colleague, Susanah, uses her body to sell condo units; so she imitates her scheme. When the tables turn, Liezl begins to face her punishments one by one.
