Rod Steiger is ferocious as a scheming land developer in Francesco Rosi’s Hands over the City, a blistering work of social realism and the winner of the 1963 Venice Film Festival Golden Lion. This expose of the politically driven real-estate speculation that has devastated Naples’s civilian landscape moves breathlessly from a cataclysmic building collapse to the backroom negotiations of civic leaders vying for power in a city council election, laying bare the inner workings of corruption with passion and outrage.

Dropped into a web of family, sexual, political and romantic relationships where nothing is quite what it seems. One event leads to something else, people appear in one situation and reappear in another and by the end the lives of 22 people intersect in unpredictable ways during a 90-minute period on one magical night in the city they share.

One of the city’s last decent tow truck drivers risks everything on a desperate quest to become king of the road and provide for his struggling family.

AMEXICA is the story of a young boy from Mexico who is sold by a human trafficking ring to two con artists from Los Angeles with a get rich scheme. They portray him as their son, extorting money from innocent people by risking the boy’s life in staged automobile accidents. Trapped, alone with his captors, and unable to speak for himself, the boy decides to take his fate into his own hands, forever changing the lives of the people around him. Amexica takes a different approach in the exploration of human trafficking, showing the unexpected fallout of human chemistry from the captors and the victim’s point of view.

40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool’s errand. He shows Sara’s picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.

Twelve-year-old Beans is on the edge: torn between innocent childhood and reckless adolescence; forced to grow up fast and become the tough Mohawk warrior she needs to be during the Oka Crisis, the turbulent Indigenous uprising that tore Quebec and Canada apart for 78 tense days in the summer of 1990.

A young man (Bruce Li) unwittingly gets wrapped up in a money scam. When he refuses to give the cash back, the bad guys kidnap his girlfriend and hold her hostage in the Tower Of Death. Once there, he is given two options. Watch his girlfriend get thrown off the top or fight various martial artists on 7 different levels to win his girlfriend back.

A lyrical telling of the coming of age of a 14-year-old boy who learns to cope with his new found sexuality and his unrequited love for the cool kid in school.

Millionairess actress-singer Marie Coleby (Deborah Couls) lives in a luxurious villa on a deserted beach. One afternoon following a TV commercial shoot at the villa she incites gardener Gordon Mason (Chard Hayward) to mayhem and murder. The unexpected arrival of Marie’s sister Jenny Nolan (Louise Howitt) hinders Mason’s attempts to dispose of the body. He then decides to kill Jenny. But she is equally determined to stay alive … so begins a battle of wits. Jenny’s salvation seems at hand when two security men arrive at the villa, but only one, Officer Collings (Roger Ward) survives the initial siege. Then Jenny is alone to face Mason for the final time …

At three years old, a chatty, energetic little boy named Owen Suskind ceased to speak, disappearing into autism with apparently no way out. Almost four years passed and the only stimuli that engaged Owen were Disney films. Then one day, his father donned a puppet—Iago, the wisecracking parrot from Aladdin—and asked “what’s it like to be you?” And poof! Owen replied, with dialogue from the movie. Life, Animated tells the remarkable story of how Owen found in Disney animation a pathway to language and a framework for making sense of the world.

Con woman Ricki Woodner and detective Bob Simms follow a prison-bound swindler Ace Connors on his five-day gourmet binge.

As the heir and current marketing director for one of the nation’s biggest gun manufacturers, Liberty Wallace is indifferent to the atrocities made possible through her business and her CEO husband, Victor. On her way to see her actor lover, Liberty ends up chained to a food cart full of explosives — all at the insistence of “Joe”, a sniper whose young daughter was a victim of gun violence, and who now has Liberty in his sights.