Luke Rogers was the ideal “Christian”. Now in his mid-twenties, Luke has found himself far from the good Christian life he used to lead.
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After witnessing the killing of his parents, a teenage boy is put in a witness relocation program and sent to a boarding school in Canada to start a new life. He soon befriends a fellow student, who is actually undercover for the bad guys & looking for him.. will they discover the truth about each other? Can their new friendship survive?
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
A novelist is blinded in a car crash that killed his wife and several years later rediscovers his passion for life and writing when he embarks on an affair with the neglected wife of an indicted businessman.
MIDNIGHT SON is the story of Jacob, a young man confined to a life of isolation, due to a rare skin disorder that prevents him from being exposed to sunlight. His world opens up when he meets Mary, a local bartender, and falls in love. Tragically, Jacob’s actions become increasingly bizarre as he struggles to cope with the effects of his worsening condition. Forced by the disease to drink human blood for sustenance, he must control his increasingly violent tendencies as local law enforcement narrow their focus on him as a suspect in a series of grisly murders.
An ambitious reporter, investigating a senator’s assassination, realizes witnesses to the shooting are systematically dying and discovers a multi-million dollar corporation which serves as a front for the recruitment of political assassins.
A youngster from a small town believes that his only responsibility in life is to find a suitable groom for his sister. However, when things fall into place, he is faced with an issue that he would have never expected in life.
A fable states that whoever builds the pyramid of Ra will be rewarded with gold but get it wrong and they all pay the price. When a mysterious stone arrives, someone’s willing to take that risk. The power of the stone causes chaos, but there’s one person who can stop it. (Will they sacrifice themselves to save them all?)
Nickie Ferrante’s return to New York to marry a rich heiress is well publicized as are his many antics and affairs. He meets a nightclub singer Terry McKay who is also on her way home to her longtime boyfriend. She sees him as just another playboy and he sees her as stand-offish but over several days they soon find they’ve fallen in love. Nickie has never really worked in his life so they agree that they will meet again in six months time atop the Empire State building. This will give them time to deal with their current relationships and for Nickie to see if he can actually earn a living. He returns to painting and is reasonably successful. On the agreed date, Nickie is waiting patiently for Terry who is racing to join him. Fate intervenes however, resulting in misunderstanding and heartbreak and only fate can save their relationship.
Two strangers strike up a conversation on a long journey. One is a suspect in an unsolved missing person’s case and the other an undercover operative on his trail. Their uneasy friendship becomes the core of this tightly wrought thriller, which is based on the true story of one of the largest investigations and undercover operations in Australia.
An American attorney on business in China, ends up wrongfully on trial for murder and his only key to innocence is a female defense lawyer from the country.
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
