As autism has exploded into the public consciousness over the last 20 years, two opposing questions have been asked about the condition fueling the debate: is it a devastating sickness to be cured or is the variation of the human brain just a different way to be human? The film takes a look at two movements; the recovery movement, which views autism as a tragic epidemic brought on by environmental toxins, and the neurodiversity movement, which argues that autism should be accepted and that autistic people should be supported. After his son’s diagnosis, filmmaker Todd Drezner visits the front lines of the autism wars to learn more about the debate and provide information about a condition that is still difficult to comprehend.
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In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Five days in the life of fabled Greenwich Village guitar store Carmine Street Guitars.
The bearded, bawdy, and comically bitter Tom Segura gets real about body piercings, the “Area 51” of men’s bodies, and the lie he told Mike Tyson.
Looking past caricature and propaganda to a searching and human character study, Alex’s War draws on twenty-five years of Infowars archives, unprecedented personal interviews, and months of backstage access to examine the shattering of our shared national narrative through the rollercoaster career of one of America’s most infamous, charismatic and divisive public figures. Building around Jones’ first ever independent long-form interviews, behind-the-scenes footage from his studio and rallies, and full access to the Infowars archives, acclaimed director Alex Lee Moyer traces the twenty- five year rollercoaster of a career that brings him to the manic election in the winter of 2020—a moment Jones sees not just as the culmination of his lifelong mission, but the decisive point in the fate of humanity.
IN MY FATHER’S HOUSE explores identity and legacy in the African-American family, as Grammy award-winning rapper Che ‘Rhymefest’ Smith and his long-lost father reconnect and try to build a new future in Chicago’s turbulent South Side. Himself a child of a broken home, Che hasn’t seen his father, Brian, in over 20 years, and presumes him dead. But after buying his father’s childhood home, Che sets out to find him, and learns that his is now a homeless alcoholic living only several blocks away/ The film offers a probing take on memory and identity in a family two generations removed from slavery as it tracks Che and Brian’s shared journey to create a new legacy for themselves, their community and the next generation of family.
“The Principle” brings to light astonishing new scientific observations challenging the Copernican Principle; the foundational assumption underlying the modern scientific world view. The idea that the Earth occupies no special or favored position in the cosmos has launched the last two scientific revolutions – the Copernican Revolution and Relativity – and, as Lawrence Krauss has said, we could be on the verge of a third, with “Copernicus coming back to haunt us”. Interviews with leading cosmologists are interspersed with the views of dissidents and mavericks, bringing into sharp focus the challenges and implications not only for cosmology, but for our cultural and religious view of reality.
Anas has been called the James Bond of Ghanaian journalism. He’s exposed a sex-trafficking ring by masquerading as a bartender, uncovered deplorable conditions in Accra’s psychiatric hospital, posed as a crown prince in order to bypass a rebel checkpoint. His unorthodox methods are infamous throughout Ghana, but, despite his notoriety, his face is unknown to the public. The film takes us behind the scenes of the Tiger Eye Investigations Bureau hot on the heels of his next big case.
A look at how a child abuse case engulfed a California beach community in 1983 and became a modern-day witch hunt.
Long before Green Day and Blink 182 inflicted punk-rock’s puncture wound on the map of mainstream music, the Descendents were at home concocting the perfect mix of pop, angst, love, and coffee. FILMAGE: The Story of DESCENDENTS/ALL follows drummer/square-peg Bill Stevenson and his ‘caffeinated retardedness’ as he pushes his rotating door of bandmates to ‘achieve ALL,’ his philosophy of going for greatness at all costs. Stevenson is a force to be reckoned with–not even grapefruit-sized brain tumors can keep him down.
The decisive years of Swedish soccer player Zlatan Ibrahimović, told through rare archive footage in which a young Zlatan speaks openly about his life and challenges. The film closely follows him, from his debut with the Malmö FF team in 1999 through his conflict-ridden years with Ajax Amsterdam, and up to his final breakthrough with Juventus in 2005.
Hating Obama takes a thought provoking look at the hatred received by President Barack Obama while asking the central question: Is President Obama hated for his policies or because he’s black?
Brandon Semenuk’s Rad Company pushes the limits of freeride mountain biking and showcases the skills and passion that make him one of the most versatile and explosive riders on the planet. Brandon handpicked a crew of riders who drive and inspire him in each discipline for this film, ultimately creating some of the highest level of riding ever caught on camera. The film features an eclectic soundtrack that flows like your favorite mix tape, while seamlessly meshing all disciplines of mountain biking. NWD Films and Red Bull Media House have teamed up with some of the top cinematographers and digital effects artists to create an innovative style, while keeping true to the “all killer no filler” style of the New World Disorder. FEATURED LOCATIONS: Fiji, Retallack BC, Sunshine Coast BC, Pemberton BC, Kamloops BC, and Utah