In this Janette Oke sequel to “Love Comes Softly,” the eldest child in an 1800s frontier family, Missie Davis is a bright and beautiful elementary schoolteacher whose love for the prairie is matched only by her passion for books. When Missie encounters Grant, a handsome New England railroad executive, she feels as though shes met a hero from one of her novels.
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Major-league rookie pitcher Hopper Gibson has lost his focus. After choking on the mound, he’s sent down to the minors and prescribed sessions with an unorthodox sports therapist, who pushes him to uncover the origins of his anxiety.
After a confrontation with one of his idols dashes his dreams of studying public speaking in college, Richard Pimentel joins the Army and ships off to Vietnam. During his service, Richard loses nearly all of his hearing. Joining a new circle of friends, including a man with cerebral palsy and an alcoholic war veteran, Richard discovers his gift for motivational speaking and becomes an advocate for people with disabilities.
An American family on holiday in Africa becomes lost in a game reserve and stalked by lions.
Littlefoot and the gang meet a shy newcomer, Ali, but the pleasantries stop there. There’s a dire environmental theme to this third sequel in the series, in which the world’s weather changes beyond the Great Valley, and what had been dry land is now a “land of mists.” The shift brings new creatures who push out older inhabitants, and Littlefoot sees these radical changes for himself when he has to venture into the area to find a medicinal flower for his sick grandfather. While the animation is slow and contained the way direct-to-video cartoon releases often are, the story is sound and the now-familiar characters are memorable.
Accomplished sailor Charlie St. Cloud has the adoration of his mother Claire and his little brother Sam, as well as a college scholarship that will lead him far from his sleepy Pacific Northwest hometown. But his bright future is cut short when a tragedy strikes and takes his dreams with it. After his high-school classmate Tess returns home unexpectedly, Charlie grows torn between honoring a promise he made four years earlier and moving forward with newfound love. And as he finds the courage to let go of the past for good, Charlie discovers the soul most worth saving is his own.
Noboru is a high school student who isn’t popular at all. He looks up to senior student Miyazaki who is one of the most popular guys at school. Miyazaki has two girlfriends: Momose and Tetsuko. Momose and Tetsuko have totally different personalities. Momose is bright and Tetsuko is a popular student from a wealthy family. One day, Miyazaki is caught with Momose. To keep his relationship with Tetsuko, Miyazaki asks Noboru and Momose to pretend they are dating. They both agree due to their affections for Miyazaki. Noboru and Momose begin to act like a couple in front others and soon Noboru begins to develop feelings for Momose, who is still in love with Miyazaki.
Melinda is forced to take a break from classes in order to work and pay for her grandma’s (Becky) hospital bills. As Melinda is leaving the hospital one day, she is struck by a car in a hit and run, leaving her legs permanently paralyzed. With Becky’s health depleting fast, they learn of a surgery that could possibly save her life
When a woman discovers that her husband has been unfaithful to her, she decides to respond to his infidelities in kind.
A classic comedy of mistaken identity and romance set during the holiday season at a ski resort that is owned and operated by a Native American Nation. Shot on location at The Sundance Resort in Utah, this is the first contemporary romantic comedy to feature an almost entirely American Indian cast. The film was featured at the 2001 Sundance Film Festival.
The Mystery Gang goes to Hawaii for the Big Kahuna of Hanahuna Surfing Contest. However, the gang and the locals find the island invaded by the vengeful Wiki Tiki spirit and his demons.
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).