The german performance artists Greta & Rodi are celebrating the last 24 Hours of their relationship. Planned as an act of gratitude & the last art project at the same time, things get out of control…
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Comedian Paul Virzi takes the stage to spill on awkward drugstore runs, his obsession with crime shows and why his wife sabotaged his fitness goals.
A young boy’s father is lynched before his eyes; fifteen years later he returns home for revenge.
An adult woman puts herself up for adoption and forms a bond with the misanthropic patriarch of her adoptive family. Based on a true story.
After getting dropped by her publisher, celebrated novelist Hannah Ryan uses the negative forces in her life to inspire the creation of a pulp crime serial that posts new chapters to subscriber’s devices every week. The initial release is a modest success but the work becomes a massive hit after a real life murder takes place that bears a striking similarity to Hannah’s story. Is it really just a coincidence or is it possible that a copycat serial killer is acting out the fictitious murders in real life? And is he going to strike again once Hannah releases her next chapter?
When 13 year old Maria Merryweather’s father dies, leaving her orphaned and homeless, she is forced to leave her luxurious London life to go and live with Sir Benjamin, an eccentric uncle she didn’t know she had, at the mysterious Moonacre Manor.
Marina Lenk is an experienced Ornamental Jumping athlete. However, an attack of Tinnitus — an unbearable ringing sound in the ears — drags her from the top of her game to the edge of madness.
The story of a young mother shows her trapped in the massiveness of circumstance. Forced to desert her only child and live with the anxiety, she can only weep. On the island, life is getting much harder, and there is only wind, stone and women.
When troubled teen boy Stevie (Cameron Van Hoy) and his girlfriend, Rocky (Mischa Barton), attempt to rob a bank without any forethought, the situation rapidly deteriorates. Soon the young couple is holding bank customers and employees hostage, while law enforcement gathers outside. Daniel Bender (Burt Reynolds), a veteran negotiator for the FBI, is charged with assessing the crime scene and ending the standoff as quickly as possible, but Stevie’s short fuse considerably complicates matters.
Jack wants to prove to his wife Alma, that he is a new man after his drug abuse and time spend in prison. He is offered new job as a night watchman of an old mine complex, which he accepts without a question. What no one knows that the dark place holds a disturbing secret that will fill their lives with terror.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens