While trying to make his sister’s wedding day go smoothly, Jack finds himself juggling an angry ex-girlfriend, an uninvited guest with a secret, a misplaced sleep sedative, and the girl that got away in alternate versions of the same day.
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Based on the novel by Andy Zeffer, “Going Down in LA-LA Land” is a riveting and uncensored look at Hollywood. It is a story that reveals how friendships sustain us and keep us going. It is a tale that reflects our celebrity-obsessed culture. It is a revealing look at some people’s desire to be loved, adored, and adulated at any cost. Readers have grown to adore the flawed and imperfect, yet earnest and likable characters of Adam and Candy. Now movie audiences will have the same opportunity to follow their rocky ride through Hollywood, and all the laughs that go along with it.
In the Martini family, chaos has four names: Livi, Tessa, Malea and Kenny. Just in time, Pinguin Paul finds these four on the run from his kidnappers. But on their mission to save Paul from the nasty magician duo Mary & Marc, only one thing will help this time: working together!
A young woman from a lower-middle class family wins a car in a lucky draw unaware of the trouble it’s going to bring her.
Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They’ve taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.
A slice of life story about a Christmas Eve. In the nineties. At the household of a West-Flemish family. Spoken in West-Flemish. Comical. But tragic if you ask the narrator.
In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe.
A ghost from the 1920s refuses to leave the home just listed by Anna, a new real estate agent. Worse, the spirit is convinced she cannot “pass over” until she gets Anna back together with her ex.
Broke lion tamers travel to Africa to make a movie about Amazon women, from a distance.
To land a major client, an LA wine exec travels to an Australian sheep station, where she signs on as a ranch hand and hits it off with a rugged local.
Boy meets girl, boy loses girl, boy maybe wins her back… This musical comedy follows Natalie as she sorts out her thoughts on love, sex and communication with her boyfriend Matt, her best friend Christian (Nico Izambard), and ultimately herself. Inspired by the sensibilities of Ernst Lubitsch’s landmark musicals of the ’30s, where the songs never upstage the film, but are instead an integrated part of the character’s lives. “yellow” features seven-and-a-half original songs written by Schopmeyer, which were recorded live on set with an ensemble of local area musicians.
Doctor Knock is a former thug who has become a doctor and arrives in the small village of Saint-Maurice to make his fortune according to a particular method. It will make the villagers believe that they are not as healthy as they might think. It is thus that he will find in each one an imaginary symptom, or not, and thus will be able to exercise his profession lucratively. Under his seductive looks and after gaining the confidence of the village, Knock is on the verge of achieving his ends. But his past catches up with him and an old acquaintance disrupts the doctor’s plans.
