Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.

Violent and dramatic events dog the life of hot headed rebel Chris Townes. Drifting from one menial job to another, where he finds resentment and eventually arrest, he finally loses his apartment and leaves in a rage. Chris meets Mindy and saves her from the hands of a violent gang. To thank him she introduces him to a happier way of life. Then suddenly, this new world is shattered by the most horrific event in Chris’s turbulent life.

Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who’s aging quickly and becoming forgetful, mum’s ghastly upper-middle-class neighbors, and Cyril’s pretentious sister and philandering husband. Shirley wants a baby, but Cyril, who reads Marx and wants the world to be perfect, is reluctant. Cyril’s mum locks herself out and must ask her snooty neighbors for help. Then Cyril’s sister Valerie stages a surprise party for mum’s 70th birthday, a disaster from start to finish. Shirley holds things together, and she and Cyril may put aside her Dutch cap after all.

It seems simple: an egg + sperm = one embryo. But if your sperm is “few, vague and abnormal” and your woman is premenopausal at age 37, things start to get complicated.

Along With the Gods: The Last 49 Days follows the journey of 3 Afterlife Guardians and Su-hong as they journey through their 49th trial in order to gain their reincarnations and how the Guardians slowly recover their forgotten memories through Household God in the living world.

An unemployed man-child strives for happiness by proposing to his marriage-averse girlfriend, and taking a job at a run-down chicken joint.

Megan seems to have the perfect life with a wonderful husband named Thomas and 2 adorable children. Then she finds herself awakening from a coma – and discovers she is not and has never been married. But when she meets Thomas for real, she seizes the chance to help him fall in love with her, again-for the first time.

A vengeful widow is out to seduce the relatives of the man she blames for her husband’s death.

A young man challenges the web to offer money for a sex tape of him and his girlfriend to finance his work and finally be able to afford having a child. Is it really wrong to sell our own intimacy in order to be able to afford making our dreams come true?

Mexican immigrant and single mother Flor Moreno finds housekeeping work with Deborah and John Clasky, a well-off couple with two children of their own. When Flor admits she can’t handle the schedule because of her daughter, Cristina, Deborah decides they should move into the Clasky home. Cultures clash and tensions run high as Flor and the Claskys struggle to share space while raising their children on their own, and very different, terms.

In this sequel to his 1978 “When Every Day Was the Fourth of July” (and a pilot to a prospective series), producer/director Dan Curtis recalls more of his youth during the late ’30, and follows a fictionalized family where the father has jeopardized a promising law career to defend a Jewish immigrant against the prejudices of a staid New England town.

Depressed and in debt, Santoshi tells his young daughter that he is going to find an infamous serial killer and collect a reward. However, when Santoshi disappears without a trace, she starts to fear the worst and begins searching for him.