When a Western movie star is forced to spend a PR weekend at a dude ranch, his fans are horrified to learn he’s actually a city slicker who’s afraid of horses and has never been west of the Hudson River.
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The Falls is a feature film about two missionaries that fall in love while on their mission. RJ travels to a small town in Oregon with Elder Merrill to serve their mission and teach the words of Joseph Smith. Living together and sharing the challenge of leaving home, the two men help each other discover their strengths. They share a passion for their faith and learn to express their feelings, risking the only community they have for a forbidden intimacy.
A divorced lawyer falls for a charismatic cardiologist. But when their difference in size leads to family friction, is she ready to listen to her heart?
Dax Ryan Locke, born to Julie and Austin Locke on June 26, 2007, was diagnosed with AML M7, a rare form of leukemia, when he was 13 months old. The Heart of Christmas is set in Washington, Illinois and at St. Jude Children’s Research Hospital, one of the world’s premier centers for the research and treatment of pediatric cancer and other deadly diseases in children. Told in flashback from the perspective of Megan (Candace Cameron Bure), a successful businesswoman, wife and mother of two, the storyline unfolds when her commitment to faith and family is renewed after reading the blog of Julie Locke, (http://www.caringbridge.org/visit/daxlocke), the online journal that Julie kept after Dax was diagnosed with Acute Myeloid Leukemia (AML) (http://theheartofchristmasmovie.com/story.php).
Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow’s help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.
Trapped behind the Boundary Fence, Freya dreams of escape and pursues a dangerous outsider who can free her.
An ex con teams up with federal agents to help them with breaking up a moonshine ring.
An unusual love-hate relationship between a 75-year-old son and his 102-year-old father, who wants to break the oldest-man-alive record.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
Seven disgusting kids but nevertheless of interesting personality are being made of the green mud coming out of garbage can. Once alive their master gives them rules to obey although they think that life is funnier without following stupid regulations like no television or no candy. Naturally this will cause some conflicts.
In this unique and riveting film, a troubled man has a series of dreams in which he finds himself thrown back to a time before his birth, into the Angolan Border War, as a combat soldier. There he meets his father as a young man, when he was a member of the Special Forces. As they go through combat together, the son gets to know his father in a way he never has, giving him insight and compassion, and he is able to let go of lifelong feelings of abandonment, resentment and anger. This leads to forgiveness and a real-life reconciliation, which drives home the underlying message of this film restoring the hearts of the fathers to the children and the hearts of the children to the fathers.
