As the Algerian War draws to a close, a teenager with a girlfriend starts feeling homosexual urges for two of his classmates: a country boy, and a French-Algerian intellectual.

Ten lost souls slip in and out of one another’s arms in a daisy-chained musical exploration of love’s bittersweet embrace. A film adaptation of Michael John LaChiusa’s celebrated musical, originally based on Arthur Schnitzler’s play, La Ronde.

After her girlfriend is imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection.

Jake is a quiet, sensitive middle schooler with dreams of being an artist. He meets the affably brash Tony at his grandfather’s funeral, and the unlikely pair soon hit it off. The budding friendship is put at risk, however, when a rent dispute between Jake’s father, Brian, and Tony’s mother, Leonor, threatens to become contentious.

Mercedes is a taxi dancer who wants to be an actress. She’s involved with the married Harry, who considers himself a respected actor. Ernesto is in love with Mercedes, but he doesn’t dance or have money.

On his way to merge with an upcoming Sport agency. Dominique discovers that his ex (Misty) who he cheated on is the top agent at the agency. With good intentions and a jealousy complex he keeps her away from any man that tries to get with her, but at the same time Dominique has his own secrets that will be exposed when his wife (Marlo) finds out he’s been lying about his whereabouts with his career moves.

Lifelong friends stumble back home after high school when word goes out on Facebook that the most popular among them has died. Old girlfriends, boyfriends, new lovers, parents, your first dead friend – how do people deal? The reunion stirs up sticky feelings of love, longing and regret, and the novelty of forgiveness, mortality and gratitude.

Slastan, a Karadjistan man, is willing to blow himself up aboard a Moscow plane bound for Madrid, but his plan is complicated when, due to a snowstorm, the flight is delayed. Staying in a hotel, the terrorist will have to live with the 332 people who he will kill until the storm ceases, which prevents him from continuing his mission. Slastan knows, speaks and relates to his future victims and begins to wonder if suicide and ending the lives of all these innocent people is really right.

At the times of World War II, accomplished painter and translator Aram flees Istanbul due to political offenses. When he is trapped at the USSR-Georgia borders, his flight turns into a remembrance of things past…

Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

A trio of sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.

The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.