Directed by acclaimed filmmaker Martin Scorsese and his longtime documentary collaborator David Tedeschi, A 50 Year Argument rides the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices. Confrontation and original argument are in the Review’s DNA – the magazine seems as vital now as when it was run by its indefatigable founding editors, Robert Silvers and the late Barbara Epstein. Co-produced with the BBC’s award-winning Arena and shaped by Scorcese’s vivid filmmaking style, The Fifty Year Argument captures the power of ideas in influencing history.

The decisive years of Swedish soccer player Zlatan Ibrahimović, told through rare archive footage in which a young Zlatan speaks openly about his life and challenges. The film closely follows him, from his debut with the Malmö FF team in 1999 through his conflict-ridden years with Ajax Amsterdam, and up to his final breakthrough with Juventus in 2005.

Gary and Mary, hikers, embark on the 2,600-mile Pacific Crest Trail. As a Black man, Gary confronts societal perceptions about Black people in nature while bonding with fellow hikers and navigating the wilderness challenges.

Documentary about the dancer Rudolf Nureyev.

The physical evidence left behind warns us of another judgment to come, but when? The second film in THE DAYS OF NOAH series, “Judgment Hour,” answers this question. Just before the Flood, Noah gave a judgment hour message to the world and likewise, a prophecy foretold at the end of time another message would go forth to the world declaring “the hour of His judgment is come.” (Rev 14:6) As the judgment hour message proclaimed by Noah invited the people to find mercy and refuge in the Ark, so too, this judgment hour message for the last generation contains the instructions whereby man might find mercy and refuge in the last Ark before the destruction of the world by fire.

One man’s journey to find meaning in Bill Murray’s many unexpected adventures with everyday people, rare and never-before seen footage of the comedic icon participating in stories previously presumed to be urban legend.

Ukraine in Flames is a documentary produced by Oliver Stone that reveals American and NATO participation in the 2014 coup d’état in Ukraine and its aftermath. The renowned American director, who in recent years has made several productions within the genre of political cinema, investigates the origins of the current conflict that currently keeps the entire European continent and the entire planet in suspense. In the film, Stone interviews, among others, the former president of Ukraine, Víktor Yanukovych; Russian President Vladimir Putin and former Ukrainian Interior Minister Vitali Zajarchenko.

This hybrid documentary follows Isabella Grosso, a survivor of childhood sexual abuse. In her quest to heal, Isabella discovered a sense of empowerment through dance and founded She-Is, a nonprofit combining the art of dance with therapy. As she embraces the experience of self-love through movement, we follow Isabella on an international journey to help other survivors of sexual abuse and sex trafficking find healing.

Brett Story’s visionary look at New York City as it braces for an uncertain future.

The cameras of Jacques Perrin fly with migratory birds: geese, storks, cranes. The film begins with spring in North America and the migration to the Arctic; the flight is a community event for each species. Once in the Arctic, it’s family time: courtship, nests, eggs, fledglings, and first flight. Chicks must soon fly south. Bad weather, hunters, and pollution take their toll. Then, the cameras go

BREAKING POINT: The War for Democracy in Ukraine looks at people transformed by a democratic revolution, who give up their normal lives to fight a Russian invasion, in a war which has killed 10,000 and displaced 1.9 million Ukrainians.

Three sisters have spent years bracing themselves for the pivotal moment that opens this film: the final verdict in their trial against their cousin, their childhood sexual abuser. From there, the story returns to their memories of growing up in a large and insular Punjabi-Canadian family in the small mill town of Williams Lake, British Columbia. With unflinching candour, the sisters discuss their family’s dark secrets and expose a toxic family culture that relied on female subservience and obedience. These roles, they acknowledge, have deeper roots and have in part been reinforced by the Bollywood films that have structured their fantasies of romantic relationships. While the film tells a difficult and confrontational story of abuse, it is also a celebration of the loving sisterhood that allows these women to demand justice for the wrongs of their childhood years.