An intimate look into the lives of individuals experiencing displacement and relocation amidst the European migration crisis. A journey of strangers arriving at the shores of Lesbos in Greece, the people who receive them and the struggles they face towards an unknown future.

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

Tom Weeden, 23 from Kent, England, is a motorbike racer in the search for victory at the most challenging road circuit in the world, the Isle of Man TT. Follow Tom, along with Steve, his Dad, come race mechanic, and discover the risk and reward lifestyle of those who ride on the ragged edge in the pursuit of glory. Climbing mountains, skimming kerbs, dodging stone walls and trees, at over 200mph.

Dear Rodeo: The Cody Johnson Story, a brand-new cinematic feature-length documentary, is the much bigger picture, recounting Johnson’s real-life journey from the dusty rodeo arenas of rural Texas to some of the biggest musical stages in America. Every emotion Johnson felt over the past 20 years – whether he was standing in the back of the chute at the rodeo or singing about it in front of 75,000 fans – is captured vividly in this big screen experience, with all the highs and lows that come from the dreams you cling to and the dreams you ultimately let go of. Featuring interviews with Reba McEntire, Taya Kyle (the widow of “American Sniper” Chris Kyle), and more, this evocative and celebratory film is a love letter to everyone who has had to abandon a dream in order to find true purpose.

The story of trailblazing 19th-century photographer Eadweard Muybridge, who changed the world with his camera. Artful, resilient, selfish, naive, eccentric, deceitful–Muybridge is a complicated, imperfect man and his story drips with ambition and success, loss and betrayal, near death experiences and even murder. “The machine cannot lie,” Stanford declared of Muybridge’s pioneering motion images. But what about the photographer?

Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut’s “belt of misery,” the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When these children are given video cameras, the story of the camp evolves from their personal narratives as they articulate the feelings and hopes of their generation.

Through his ever changing reinvention, Bowie has become a symbol for fearlessness, innovation and creativity. He has become a true icon. A Phenomena that people will always remember, as he altered music forever.

A young Congolese woman shares her story of becoming a victim of child trafficking and being thrown into a whirlwind of drifting between continents.

Man has a new best friend in this heartwarming portrait of nine men whose lives have been forever changed by their proud love of cats.

Trauma to Triumph: Women details the traumatic stories of Cathy Hughes (Racism), Dana Donofree (Breast Cancer Survivor) and Maria Trusa (Sexual Assault Victim), showing how they used the power of entrepreneurship to overcome their demons.

A documentary portrait of poet, novelist, photographer, and composer Gordon Parks on the set of his first film, The Learning Tree – vuosi elämästäni (1969): the first major studio film directed and produced by an African American.

The Land Beneath Our Feet follows a young Liberian man, uprooted by war, who returns from the USA with never-before-seen footage of Liberia’s past. The uncovered footage is embraced as a national treasure. Depicting a 1926 corporate land grab, it is also an explosive reminder of eroding land rights.