Living in rural New South Wales, working-class single mother Rhia is struggling to evade debt collectors and raise three young daughters. The eldest, and hardened beyond her years, Lou blames Rhia for the departure of her father, who walked out 10 months ago and hasn’t been seen since. Mother-daughter relations hit bottom when Rhia takes in Doyle, her father in-law, who is in the beginning stages of Alzheimer’s. Doyle turns Lou’s initial hostility around with exciting tales of his South Seas adventures. But coursing deepest in his mind are fractured memories of Annie, his late wife. Before long, Doyle “sees” Annie in Lou and imagines he is courting her all over again.
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A unique, intimate and honest portrayal of a girl grieving for the loss of her best friend. That just happens to take place on the day the world ends as we know it.
Wealthy American housewife Mary Morgan takes her bullied son George out of school for home education,including a trip to Southern Africa. Whilst in Mozambique George is bitten by a mosquito which crawls through a hole in his net and dies of malaria. After his funeral at home Mary feels a compulsion to return to Africa where she meets English woman Martha O’Connell,whose 24 year old son Ben, a teacher with voluntary service overseas,has also died of malaria. Ben gave his net to one of his pupils,believing adults cannot catch malaria. The two women are shocked to see the high death rate caused by the disease and,whilst Martha stays in Africa as a voluntary helper,Mary petitions the American government to change things. Martha turns up at Mary’s house unannounced and,helped by Mary’s ex-diplomat father,they address a senate committee on health spending,persuading them to do more to combat malaria. They meet with some success though a coda states that much more can be done.
Charlotte Bronte’s classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is given a standard romantic flare, but sparks do not seem to happen between the two leads in this version.
Set in the south of the United States just after the Civil War, Laurel Sommersby is just managing to work the farm without her husband Jack, believed killed in the Civil War. By all accounts, Jack Sommersby was not a pleasant man, thus when he returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart…
When a local woman disappears and the police can’t seem to find any leads, her father turns to a poor young woman with psychic powers. Slowly she starts having visions of the woman chained and in a pond. Her visions lead to the body and the arrest of an abusive husband, but did he really do it?
A California high school student plans to escape from her family and small town by going to college in New York.
Tariq Ali, a Muslim police officer of Scotland Yard, is asked to hunt-down suspected suicide-bombers against the backdrop of July 7 bombings in London. Tariq’s task gets complicated as an innocent Muslim is killed by the commando shooters of Scotland Yard. On the other hand, Tariq – a British citizen is himself a suspect in the eyes of his boss, despite his long service in the Scotland Yard
Icíar and Fernando are young. They are both going through the most traumatic experience of their short lives: the loss of a parent. But Fernando and Icíar can neither share the pain nor the strategies for dealing with it. They live in different times. Fernando in 1977 in Bilbao faces the kidnapping of his father by ETA. Icíar in 2011 in Navarra faces her mother’s fulminating cancer.
Molly is struggling with being a new mom, but after meeting Beth, things temporarily improve only to turn as Beth’s dark intentions are brought to light.
A collection of intersecting short stories set in early 1980s Los Angeles, depicts a week in the lives of an assortment of socially alienated, mainly well-off characters who numb their sense of emptiness with casual sex, violence, and drugs.
Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
