A small time actor is given the lead role in a play dealing with homosexuality. Though he has always believed himself to be open minded, his little brother’s secret proves otherwise, and he realizes that he has been fooling himself the entire time.
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Anna teaches violin at a music school, her husband is an instrument-maker. They have a 10-year-old son, Jonas. At school, Anna champions young Alexander, in whom she alone sees great talent. She devotes much energy and attention preparing him for the next stage exam to prove she was right. Soon Anna devotes more time to him than to Jonas, bringing the two boys into rivalry. At the same time her marriage is collapsing, she withdraws increasingly from her own family and starts an affair with her colleague Christian, who is encouraging her to join a quartet. When she fails during their joint concert, the pressure mounts. With Alexander now her vehicle, she drives him ever onwards and upwards. Come the day of the exam, events take a tragic turn…
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents’ chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico’s like-minded girlfriend.
An aspiring artist is finally done with her abusive husband. She knows she has to start over, or he will find her. She thinks she is safe in Seattle with a friend she has been out of touch with, but she finds herself in danger.
Two ex-lovers meet after a long time and their romance gets rekindled briefly. Though they ensure that their newly-found love shouldn’t affect their respective families, one of them believes they are meant to be together, leaves the life of other in trouble.
Sam and her friends are terrorised during a party by a group of young men on a desperate hunt for something in her house.
Reporter Judith Wilkes leaves her husband and two sons in Sydney and goes to Malaysia to cover the story of the Vietnamese boat people. She becomes romantically involved with Kanan, and strikes up a friendship with Lady Minou Hobday, who keeps a regular vigil at “Turtle Beach” where the refugees try to land secretly in the hope that one day her own children will arrive. Accompanying Minou one night, Judith witnesses a brutal massacre by the Malaysians which spurs her on to expose the horrors of the internment camps at Bidong.
By a certain circumstance, web magazine editor Mochizuki Nasa meets Yanase Sota who claims to be endowed with a “non-sexual relationship switch”. Working as a “rent-a-friend”, Sota is hired by Nasa who wants to test out a theory.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Follows the relationship between a classical music critic and a country music star after a one night stand, which results in an unplanned pregnancy.
A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
