Zarna Garg’s taking the comedy world by storm with her first streaming stand-up special. As an unapologetic, Indian-Immigrant mom, she has plenty to joke about, and the punch lines come fast and furious.

Three Canadian Holocaust survivors, with unanswered questions from their past, journey back to hometowns, killing sites, and hiding places in search of clues in this new film. Maxwell wonders what happened to a baby he saved in a forest in 1943. Helen wants to know more about the fate of her brother. Rose wants to honour her mother and father by going to the places where they spent their final days. The survivors who appear in this film came of age during the Holocaust and carry the burden of knowing they are the last living link to it. This film delivers a powerful warning from history, inspiring stories of survival, and a last chance to solve lingering mysteries

The Color Of Noise The Color of Noise is a full length documentary about the Artist Haze XXL (Tom Hazelmyer) and his notorious record label, Amphetamine Reptile Records. Throughout the 80’s and 90’s the label would achieve almost cult like status for being adventurous and daring in the midst of a time where “safe” punk rock would rule the airwaves with a newly accepted style of music by the mainstream college goers, Grunge. Though with AmRep, not only a roster of the most outrageous performers would find a home, but also a legion of poster artists who broke all of the rules. Armed with a computer and an aesthetic of bold imagery, an artist would emerge in Hazelmyer. This is an American mid-west story about a man who created his own path, far from the norm and how he brought along with him countless others who would achieve greatness by sheer proximity and participation. This is the true American underground.

Armand Duplantis has broken the world record 7 times, each time by a single centimeter. “The Next Centimeter,” is about Mondo’s pursuit of excellence-and the blood, sweat, and tears behind his drive to break yet another world record.

Julian Assange. Bradley Manning. Collateral murder. Cablegate. WikiLeaks. These people and terms have exploded into public consciousness by fundamentally changing the way democratic societies deal with privacy, secrecy, and the right to information, perhaps for generations to come. We Steal Secrets: The Story of WikiLeaks is an extensive examination of all things related to WikiLeaks and the larger global debate over access to information.

Three girls in 1980s Stockholm decide to form a punk band — despite not having any instruments and being told by everyone that punk is dead.

Asian American creatives pay passionate tribute to the iconic, stereotype-busting “Baby-Sitters Club” character in this heartfelt documentary short.

A Noble Lie is the culmination of years of research and documentation conducted by independent journalists, scholars, and ordinary citizens. Often risking their personal safety and sanity, they have gathered evidence which threatens to expose the startling reality of what exactly occurred at 9:02 am on April 19, 1995 in Oklahoma City.

The Eagles performed live for the first time in April 1994 after a fourteen-year-long hiatus. Their reunion album’s name was in reference to Don Henley’s quote after the band’s breakup in 1980, when he commented that they would only play together again “when Hell freezes over”. Recorded at the Warner Bros. Studios in Burbank, California for an MTV special, the live sessions produced eleven tracks for the album, including a new acoustic version of “Hotel California”.

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In February 2022, filmmakers Spencer Frost and Guy Williment, and pro surfers Letty Mortensen and Fraser Dovell started a journey to the unexplored Kamchatka Peninsula in far eastern Russia. After two years of planning, their adventure almost ended before it even started, when Russia invaded Ukraine an hour before their scheduled flight to Moscow. They went anyway.

portrays the Bruder working class family, whom she met during her time as a social worker in the Märkisches Viertel. Equipped with a Super-8 camera by Helga Reidemeister, the family had already begun filming their everyday life independently in the fall of 1969. However, when, together with Reidemeister, they looked through the four-hour material at the editing table in the summer of 1974, they realized that it depicted the family’s problems only superficially and left the social context out of the picture. Reidemeister, who had not yet intervened in the film shooting, then spent a lot of time with the family and documented everyday life together with them. The result was a multi-layered mixture of family self-testimony and reflection on social relationships.