Teenage assassins Mahiro and Chisato visit the coastal city of Miyazaki for a contract and a vacation when they unexpectedly cross paths with a legendary, bloodthirsty assassin who’s looking to add to his kill count.

A young gypsy girl turns into a wolf to destroy her enemies.

A serial killer kidnaps a young boy after murdering his mother, then raises him to be his accomplice. After years in captivity, the boy must choose between escaping or following in his captor’s bloody footprints.

Filmed in Modena, Italy across two nights in November 1993 as part of Peter Gabriel’s acclaimed Secret World Live tour in support of the Us album, the show is elaborately presented and choreographed with two stages joined by a narrow pier. Peter Gabriel has always been a charismatic live performer with the ability to draw his audience into the onstage world he has created and rarely has this been better captured than on Secret World Live.

In turn-of-the-century New York, an Italian seeks vengeance on the mobsters who killed his father.

A documentary celebrating the work of Walerian Borowczyk, a director of unparalleled sensitivity, revered in the 1970s, who was later labeled as a maker of erotic movies.

The compelling feature-length documentary film, by director Barry Ptolemy, chronicles the life and controversial ideas of luminary Ray Kurzweil. For more than three decades, inventor, futures, and New York Times best-selling author Ray Kurzweil has been one of the most respected and provocative advocates of the role of technology in our future.

An action-adventure documentary chronicling the most notorious and dangerous race in the world–the Tecate SCORE Baja 1000. Rivaling the Indy 500 and 25 Hours of Daytona, the race across Baja’s peninsula is unpredictable, grueling and raw–just like the uncharted American West of yesteryear.

When “The Electric Company” made its television debut in October 1971, it was instantly clear that it would fulfill its mission of helping struggling and reluctant readers. With a ground-breaking and diverse cast, clever writing, innovative direction, and an original visual and musical style, the show was so effective that by the end of its first season, nearly a quarter of all US schools were using the show in the classroom. Generations of young people learned to read from the series, making it one of the most important and enduring shows in American television history. “The Electric Company’s Greatest Hits and Bits” is a clip-filled celebration featuring many of the series’ most popular segments (with Bill Cosby, Morgan Freeman, Rita Moreno and the rest of the multi-talented Electric Company cast), and includes new interviews with cast members Jim Boyd, Judy Graubart, Skip Hinnant, Tom Lehrer, Rita Moreno, and Joan Rivers, as well as with series creator Joan Ganz Cooney.

Down these mean streets a man must come. A hero born, murdered, and born again. A Rookie cop named Denny Colt returns from the beyond as The Spirit, a hero whose mission is to fight against the bad forces from the shadows of Central City. The Octopus, who kills anyone unfortunate enough to see his face, has other plans; he is going to wipe out the entire city.

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

Before the advent of modern-day pornography, a vast and rapidly-paced world of smut peddling was the norm, complete with its own secret history. This documentary reveals the untold story of American cinema’s gloriously sordid cinematic past. Starting in the 1920s, expert exploiteer David F. Friedman and Henenlotter navigate us through more than five salacious decades of skin flicks. It’s the true story of dirty movies, traced in elegant detail from the bizarre locations where these nudie shorts were screened to the ongoing legal battles fought by their promoters. And of course there are the stories of the innovators themselves, people who often risked their own security and livelihood to make these films, believing in some way that what they were doing wasn’t a ‘bad’ thing – and that it could rake in some dough.