A movie serial in 13 chapters, and Lionel Atwill’s final film: Following the end of WWII, war-monger Sir Eric Hazarias sets the wheel in motion for WWIII. His search for Meteorium 245, the only practical defence against the atomic bomb, leads him to mythical Pendrang. Obstructing his sinister plan to rule the world are Rod Stanton, United Peace Foundation investigator, Tal Shan , Pendrang native, and Marjorie Elmore, daughter of scientist Dr. Elmore, unwilling assistant to Sir Eric.
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Quinn Forte had it all: power, money, a brother who idolized him, and a woman who loved him. He also had enemies. In the course of one night, he loses everything. Betrayed by someone in his inner circle, Quinn is set up and arrested. His father, the patriarch of the criminal empire is killed and his brother suspects that Quinn is behind it all. When he’s released from jail he tries to escape the demons from his past, but that becomes an impossible task. Campbell, the ruthless new leader of “The Company” won’t let him leave in peace. So instead of escaping them, Quinn fights back. He joins forces with his former henchman and friend, The Swede, and takes on his enemies head on.
On a lush tropical island, working under a secret government charter, Martin Drake has not only grown sprawling acres of giant vegetables, but inadvertently spawned two mammoth reptiles as well. Now they’ve broken free of their enclosures, and Drake has only one option: kill the creatures before word gets back to Washington and they close him down. When Drake’s first team of well-armed mercenaries gets wiped out within hours of setting down in the jungle, he turns to one lone hunter, The Cajun, to go in single-handedly. But will The Cajun be cunning enough to find the creatures and destroy them before they turn the blue waters red with the blood of tourists. The only hope is to bring the monsters together and make them fight. When one emerges victorious, that will be the time to strike and kill the other. It’s a risky plan, but ultimately the only one that may work. One of David Carradine’s last movies.
With high school in the rearview, five teenagers from inland Oregon embark on one last adventure. Piling into a van with a busted tail light, their mission takes them to a place they’ve never been—the Pacific coast, five hundred miles away. Their plan, in full: “Fuck it.”
Jay, a bodyguard, races against time to save his boss, businessman Dato’ Hashim and his daughter Nadi, against a hostile hostage situation.
War between two Irish youth gangs consists of removing and retrieving buttons from each other’s clothing.
Bert Kreischer faces a familial crisis and the arrival of his estranged father when the ghost of his booze-soaked past arrives: a murderous mobster hellbent on kidnapping Bert back to the motherland to atone for his crimes. Together, he and his father must retrace the steps of his younger self in the midst of a war between a sociopathic crime family while they attempt to find common ground.
The residents of a small town are excited when a flaming meteor lands in the hills, but their joy is short-lived when they discover it has passengers who are not very friendly.
Eternity (aged 10) lives in a haunted gatehouse at the edge of an ancient forest. She likes to dig for buried treasure in the woods, but one day she digs up something she shouldn’t and the forest want it back.
Zarina, a smart and ambitious dust-keeper fairy who’s captivated by Blue Pixie Dust and its endless possibilities, flees Pixie Hollow and joins forces with the scheming pirates of Skull Rock, who make her captain of their ship. Tinker Bell and her friends must embark on an epic adventure to find Zarina, and together they go sword-to-sword with the band of pirates led by a cabin boy named James, who’ll soon be known as Captain Hook himself.
A completely hand-made historical micro-epic about the final minutes in the life of Winnipeg’s doomed Second World War hero, Andrew Mynarski (1916-1944). Combining wartime aviation melodrama with classical and avant-garde animation techniques (including stop-motion, silhouettes, bleaching, scratching, hand-painting and rubbing letratone patterns directly on the celluloid) Mynarski Death Plummet is a psychedelic photo-chemical war picture on the theme of self-sacrifice, immortality and jellyfish.
In a dystopian future, two loser bag-men get in over their heads smuggling illegal stem cells for black market researchers.
