When Laura Harris’s kidnapped son returns after eleven devastating years, what she thinks will be a dream come true turns out to be a family nightmare.
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Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber. He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia, and Nick resolves to get even. He partners with prostitute Rica, and together they go after Mike, all the while getting pulled further into the local crime underworld.
An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.
Amandla is an anti-apartheid resistance slogan and means power. Apartheid in South Africa is still in full force when, in 1987, the two brothers Impi and Nkosana grew up on a farm as the sons of servants. The white owners are liberal people who aren’t too particular about racial segregation. Black Africans have it relatively good there. Even a tender love bond develops between Impi and the blond daughter Elizabeth. But they have to be on their guard when neighboring farmers come to visit. When three racist upstart Boers arrive on the farm one day, tragic incidents occur with terrible consequences. The two Zulu boys are now on their own. Several years after surviving this childhood tragedy, the now grown brothers each find themselves on the opposing sides of the law. One is a gangster, the other is a police officer. A heinous gang crime tests their loyalty to one another.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
A young designer falls under a man’s erotic spell and is drawn into a world of sexual abandon from which she may never return.
Former couple and pop music duo Averie and Jesse unexpectedly reunite at her inn during the holidays. As they spend time together, they rediscover long-buried feelings and must decide if they are meant to live their lives solo or in harmony together.
An attractive woman enlists the help of her two best friends to confront a charming man with a secret background who has pushed her to the breaking point. The women underestimate the consequences when they take matters into their own hands as their opponent forces them into a desperate situation, and everyone pays a price.
A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.
A Polish contractor, Nowak, leads a group of workmen to London so they can provide cheap labor for a government official based there. Nowak (Irons) has to manage the project and the men as they encounter the tempations of the West and loneliness and separation from their families. Nowak is the only one of the group who speaks English, and he uses this as a tool over his team. When the unrest in Poland leads to a military takeover, Nowak is faced with a much more difficult situation than he expected.
Nothing gets between Anne Marie and her board. Living in a beach shack with three roommates, she is up before dawn every morning to conquer the waves and count the days until the Pipe Masters competition. Having transplanted herself to Hawaii with no one’s blessing but her own, Anne Marie finds all she needs in the adrenaline-charged surf scene – until pro quarterback Matt Tollman comes along…
