Tommy, a dogged lab tech of industrial food who, though once known in the business as “The Apostate”, seems to have rededicated himself to producing scientifically engineered meat. A film about a dystopian future rife with genetic engineering, corporate corruption of government and rampant infection, is really about Tommy’s loneliness and the at-home experiment he conducts.
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Firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness, two implacable enemies in Northern Ireland, are forced to take a short journey together in which they will take the biggest leap of faith and change the course of history.
When a young gay man comes out of the closet, his friends support him, but when he comes out to his parents, he stirs up a wealth of hidden feelings and secrets in their relationship.
A woman subject to mental, physical, and sexual abuse on a remote island seeks a way out.
In the near future, the sun has become so toxic people can no longer leave their houses in daytime, and normal life is conducted mostly inside the virtual realm. Against this dystopian backdrop, a dying man seeks to ensure the future well-being of his family, while coping with what it means to be human in this new reality.
Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death’s head mask and a nun’s habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn’t always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman’s life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.
A pair of lovers plot to kill the woman’s rich husband.
John wilde is a happily married man who is about to face the biggest challenge of his life. Late one night, john logs into a social networking site and re-connects with his old high school flame, adrianna. What begins as a harmless hello rapidly escalates into a rekindling of their past romance. Torn between the life he once envisioned with adrianna and the life he’s now building with his wife, mary, john soon discovers that there are serious consequences to the decisions he has made. Now john must try to find his way back to god and get on a path to forgiveness from mary, god and himself.
In 2009 John Jones entered Nutty Putty Cave with his brother Josh. What happened next has been an topic of much discussion and controversy ever since. Over 127 rescuers responded to the call for aid, and each one has their own take on the events. The Last Descent is a story about love, life, and human connection. Ultimately it is the story about how clearly you can see what matters most when you are at the edge of life and death. Made with cooperation from members of John’s immediate family. The Last Descent is inspired by the true story of love and loss at Nutty Putty cave.
Cardinal Stefan Wyszynskiandapos;s story sets the stage for the dramatic rise of Pope John Paul II and the fall of communism in Europe. Who is this prophetic man who battled evil and saw a son of Poland rising?
Carlos lives in a boarding school in the centre of Bogotá and longs to spend Christmas with his family. The circumstances around him force him to assume the male stereotype, in open contradiction to his true being. In private, Carlos acknowledges his sensitivity, his fragility and moves towards other forms of masculinity. At his 16 years of age, Carlos explores his sexual identity, discovers his fears, his desires, and all the things that real men never show.
