Mumford and Sons are a band that have never stayed still. An innate desire to travel, to meet people and to do the unexpected has become a calling card of sorts as fans the world over join their community and fall in love with their consistently evolving music. The documentary follows the band and their latest set of collaborators as they travel across uncharted territory, playing the major cities of South Africa with an eclectic mix of musician friends. They explore the craft of song writing and the people, events and influences that dictate that. The film showcases the band at their most open and collaborative as they relish the excitement of playing to crowds in new cities who’ve never seen them before. Along the way they set a fresh challenge for themselves; taking their collaborative culture one step further as they attempt to write and record a mini album in just two days, with the other musicians on tour. The filming of this process not only lifts the lid on the art of song….

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“Enjoy the pleasures of summer all year round with this fourth red-hot installment in PLAYBOY’s best-selling series, featuring eleven of your favorite Playmates and a cast of stunning actors and actresses. Just add water and stir up the fun!”

Examine one of sports’ biggest steroid scandals via interviews with the head of BALCO lab, athletes suspected of using performance-enhancing drugs and more.

Follow the evolution of Minor League Baseball over the last half-century as the Omaha Storm Chasers-the Triple A affiliate of the Kansas City Royals-kick off their historic 50th Season and pull back the curtain on game day life.

Toronto-based documentary filmmaker and cinematographer Nicholas de Pencier (Four Wings and a Prayer, Watermark) examines the complex global impact that the internet has had on matters of free speech, privacy and activism.

Two family dinners with Eugene Kotlyarenkoandapos;s grandparents on both sides of the family are shown simultaneously via split screen. The overlapping conversations cover politics and Chinese buffets among other things.

Its focus will be on the inventor-explorer-environmentalist-filmmaker revolution, i.e., giving mankind the resources to explore the ocean with the Aqua Lung, calling attention to ocean pollution, and his longtime collaboration.

A documentary which follows director Wim Wenders and Sean Naughton, the high-definition-video designer on UNTIL THE END OF THE WORLD, in Tokyo, and details the creation of the film’s groundbreaking high-definition sequences.

Virunga in the Democratic Republic of the Congo is Africa’s oldest national park, a UNESCO world heritage site, and a contested ground among insurgencies seeking to topple the government that see untold profits in the land. Among this ongoing power struggle, Virunga also happens to be the last natural habitat for the critically endangered mountain gorilla. The only thing standing in the way of the forces closing in around the gorillas: a handful of passionate park rangers and journalists fighting to secure the park’s borders and expose the corruption of its enemies. Filled with shocking footage, and anchored by the surprisingly deep and gentle characters of the gorillas themselves, Virunga is a galvanizing call to action around an ongoing political and environmental crisis in the Congo.

What do you picture when you think of King’s Road? The swinging 60s? Vivienne Westwood pioneering punk fashion? One notable establishment in this enclave of history that’s often forgotten about is Gateways, London’s longest-surviving lesbian club. Alongside a host of its patrons over the years, Sandi Toksvig highlights the legacy of the club from its original owner, who won it in a poker game, to its blossoming into a hotspot and safe space for lesbian life. From its signature green door to the risqué dance move that gives this film its name, Gateways was a crucial part of London’s queer history. In this charming and informative film, it’s celebrated in all its glory.

Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.