London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one’s life – when you have to find a career, you have your first significant relationship and most importantly form your identity in this world. This is story about Lalitha, a middle class south Indian girl from Chembur (an eastern suburb in Mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a Punjabi, rich kid from Bandra (a posh western suburb of Mumbai) who is going to study Film Making in London on 100% dad’s money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents. The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter is shot in a manner that mirrors the mental state of Nikhil and Lalitha.
You May Also Like
Dr. Hess Green becomes cursed by a mysterious ancient African artifact and is overwhelmed with a newfound thirst for blood. Soon after his transformation he enters into a dangerous romance with Ganja Hightower that questions the very nature of love, addiction, sex, and status.
Tien Xiao-Xiang is a fan of author Si-Yi and Tarot cards. But deep down, she has another love, childhood sweetheart Li Zhu-Hao. Just when she sees the perfect opportunity to reveal her love to him from fortunetelling, Li Zhu-Hao confesses his feelings to her best friend Song Yi-Jing! But Song Yi-Jing has a condition for Li Zhu-Hao, that is to help three couples to date. They are: aloof and misandric art professor Stone and lovesick gym owner Liu Zhi-Liang; the most unpopular weirdo in school, Ah-Yu, and the subject of her nonstop public displays of love, campus hunk Danny Lo; mob boss lady Yu and philosophy student Ah-Shan. To make it happen for these three unlikely couples is almost like mission impossible.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
An emotional goodbye between longtime best friends begins an unexpected love affair, putting two marriages and many friendships at stake.
Newly appointed CEO of Robinson Tech, Wes Robinson, is looking for new ideas to boost the company’s sales. Vivian Blair, a program developer, shares a dating algorithm she has been working on called My Perfect Match. Wes sees potential and an opportunity to turn the company around and launches the service. When the pair is challenged to use My Perfect Match themselves to find love, this algorithm shows some interesting results.
Successful entrepreneur Max learns that the woman he married has always really been interested more in his money than in being his wife. After his cousin Ricky gets burned by a gold-digger himself, Ricky introduces Max to the world of the pickup artist, hoping to give Max confidence and the tools to find a woman who likes him for who he is.
A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnapping six prostitutes, and turning their mining camp into a boom town. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining.
When Jonas was 14 he met the charismatic but mysterious Nathan. In addition to guiding him in his sexuality, Jonas soon confronts something dark and even dangerous about his new friend. Now an attractive, sexually assured adult, memories still haunt him. Trying frantically to put the missing pieces together, Jonas becomes determined to break the shackles of the past and finally set himself free.
Errol Flynn, the swashbuckling Hollywood star and notorious ladies man, flouted convention all his life, but never more brazenly than in his last years when, swimming in vodka and unwilling to face his mortality, he undertook a liaison with an aspiring actress, Beverly Aadland. The two had a high-flying affair that spanned the globe and was enabled by the girl’s fame-obsessed mother, Florence. It all came crashing to an end in October 1959, when events forced the relationship into the open, sparking an avalanche of publicity castigating Beverly and her mother – which only fed Florence’s need to stay in the spotlight.
