Jimmy ‘The Tulip’ Tudeski now spends his days compulsively cleaning his house and perfecting his culinary skills with his wife, Jill, a purported assassin who has yet to pull off a clean hit. Suddenly, an uninvited and unwelcome connection to their past unexpectedly shows up on Jimmy and Jill’s doorstep; it’s Oz, and he’s begging them to help him rescue his wife, Cynthia.

Naive Stanley Windrush returns from the war, his mind set on a successful career in business. Much to his own dismay, he soon finds he has to start from the bottom and work his way up, and also that the management as well as the trade union use him as a tool in their fight for power.

Janey is new in town, and soon meets Lynne, who shares her passion for dancing in general, and “Dance TV” in particular. When a competition is announced to find a new Dance TV regular couple, Janey and Lynne are determined to audition. The only problem is that Janey’s father doesn’t approve of that kind of thing.

Three young boys, Rocky, Colt and Tum Tum together with their neighbor girl, computer whiz Amanda are visiting Mega Mountain amusement park when it is invaded by an army of ninjas led by evil Medusa, who wants to take over the park and hold the owners for ransom. Kids and retired TV star Dave Dragon, who made his farewell appearance at the park at the time the ninjas appeared, have to break Medusa’s vicious plans.

A single mother, with dreams of becoming a writer, has a son at the age of 15 in 1965, and goes through a failed marriage with the drug-addicted father.

Sibylle, a young Parisian with long teeth, intends to shine in her new job by buying a hardware store in the Basque Country to set up a supermarket. She imagines that she has “rolled” the old owner but the latter is under curatorship. Sibylle must therefore deal with Ramon, the nephew, to recover his money and sign as soon as possible. Otherwise, the ejection seat is assured. She will soon realize that the Basques do not intend to let themselves be made by a Parisian, however pretty she is.

The quirky staff of an American magazine based in 1970s France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.

This is an update of George Bernard Shaw’s “Pygmalion” that changes the genders of the main characters. Hannah Higgins attempts to turn blue-collar Boston beer vendor Elliot Doolittle into a viable candidate and inadvertently learns something of Elliot’s side of life.

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Leslie is left with few options when her husband is sent back to war in the Middle East. A modest amount of help arrives in the form of his brother, Salman, who is less than prepared to care for the couple’s two preadolescent boys. When Leslie still can’t make ends meet on her own, Salman is forced to find employment, but, with minimal qualifications, his only option is to become a mascot for a digital company by donning a bulbous blue costume.

Otto Preminger directs this comedy-drama based upon the novel by Lois Gould and adapted by Elaine May (under the pseudonym Esther Dale). Julie Messinger (Dyan Cannon) is an intense woman who hides her wild emotions and desires under her conventional facade. Her husband Richard (Laurence Luckinbill) checks into the hospital for a simple mole removal that goes seriously wrong. The stellar cast includes James Coco, Jennifer O’Neill, Ken Howard, Louise Lasser, Nina Foch, Sam Levine, Doris Roberts and Burgess Meredith.

Katrien (Cherié van der Merwe) is dumped by her boyfriend, high school rugby star Werner (Altus Theart), so he can focus his energy on the sport. To get even, she makes a bet with her friends that she can make a star out of the school’s dorkiest boy, ‘Wimpie’ Koekemoer (Ivan Botha), by pretending to be his girlfriend. The awkward Koekemoer rises to the challenge but Katrien finds herself falling unexpectedly in love with him, until he realizes she is merely using him.