In the second feature film by Russian director Vasily Sigarev, fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. While Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.
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After a series of tragedies including the death of his father-in-law, Robert and his wife Maia leave their home in London to move back to her childhood home. But when Robert discovers an old portrait in the attic of a man who is his spitting image, he goes down a rabbit hole to discover the identity of this mysterious doppelganger known only as the visitor. It isn’t long until he realizes – where the visitor goes, death follows.
Elizabeth is on the verge of losing her grip on life after she leaves her emotionally fraught home to start college. Quickly, her life takes a turn for the worse: She clashes with her roommate and decides her boyfriend, Rafe, is her sole salvation. Her psychiatrist prescribes Prozac … but is that her only choice?
Mata, Missy and Makareta. Three cousins. Three lives. Separated by circumstances, yet bound together by blood. Orphaned Mata believes she has no whanau and lives out her lonely childhood in fear and bewilderment. Back home on the land, educated Makareta flees an arranged marriage to study law and begin the search for her missing cousin. She leaves behind cheeky yet dutiful Missy who takes on her role of kaitiaki (guardian) of the land. As the years pass, loss of the family land seems imminent and the women’s promise to bring their stolen cousin home seems more unlikely than ever, until a chance encounter changes everything.
Midler is the rock-and-roll singer Mary Rose Foster (known as the Rose to her legions of fans), whose romantic relationships and mental health are continuously imperiled by the demands of life on the road.
A conflicted animation filmmaker travels to Argentina chasing after a girl he met online, only to end up living with her and her intimidating boyfriend on an isolated island on the outskirts of Buenos Aires.
A homeless man meets a medical school student who pays him to volunteer for a surgical procedure known as trepanation, drilling a hole in his skull, which ends up giving him the ability to communicate with the dark side of people’s subconscious minds.
Events of the film take place in both hemispheres. Presidents of countries, bosses of drug cartels, special agents and powerful secret service agencies from all around the world are the first hand participants of its events. The film begins with an account of a shocking yet quite ordinary skirmish – an average drug kin pin is beating one of his assistants with a golf club with a purpose of educating him, because the assistant’s cell phone was quite unlawfully confiscated by an overly diligent secret service agent. The mutilated gangster understands the incommensurability of his guilt and the level of his fault, and becomes the first character who asks the question: What do we know about the world we live in?
Fourteen-year old Juliette lives in the country with her father and her older brother. When Juliette was younger, her mother left the family to pursue her career in New York; from that moment, Juliette started to gain weight. Today, she’s not obese, but she’s clearly the heaviest girl at her high school. But that doesn’t stop her from being vivacious, funny and unrepentantly rebellious. Juliette has big dreams: she wants to throw the best parties, move to New York to live with her mother, and date the most gorgeous guy in her school, an older boy who is about to graduate. In short, she wants everything she can’t have—which sometimes makes her forget to appreciate those who really love her. We follow this brazen and endearing girl during her hectic last few weeks before summer vacation, and watch as she does some growing up—but not too much.
How tenuous is man’s hold on civilization when survival becomes an issue? When the lights go out and stay out for several days, suburbanites Matthew and Annie learn the hard way that man is “by nature” a predatory creature. Matthew’s long-time friend, Joe, happens by on the second day and a rivalry between the two friends simmers as Annie cares for her sick baby. . Is this what is meant by “man’s inhumanity to man?”
