José Ferrer won the Oscar for Best Actor for his portayal of the swordsman-poet using his silver tongue to woo the woman he loves for another man. Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. Although there was a real Cyrano de Bergerac, the play is a fictionalization of his life that follows the broad outlines of it. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the Alexandrine format, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene. The play has been translated and performed many times, and is responsible for introducing the word “panache” into the English language.

A light hearted comedy about the beginnings of Professional American Football. When a decorated war hero and college all star is tempted into playing professional football. Everyone see the chance to make some big money, but when a reporter digs up some dirt on the war hero… everyone could lose out.

When Sarah Marshall dumps aspiring musician Peter Bretter for rock star Aldous Snow, Peter’s world comes crashing down. His best friend suggests that Peter should get away from everything and to fly off to Hawaii to escape all his problems. After arriving in Hawaii and meeting the beautiful Rachel Jansen, Peter is shocked to see not only Aldous Snow in Hawaii, but also Sarah Marshall.

The story takes place in LA, in the house of four housemates, three women, MJ, Frankie and Amanda, and an homosexual, Banks. MJ is the kind of girl to whom money means everything and to whom others mean almost nothing. Frankie is a social worker and Amanda, a painter. Banks is an unfortunate actor. The problem is that Frankie is deeply in love with Taylor, and he loves her back, but he’s sleeping with MJ, for sex. MJ will become more and more jealous of Frankie as days flow…

The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait.

An adaptation of Émile Zola’s 1877 masterpiece L’assommoir, the film is an uncompromising depiction of a lowly laundress’s struggles to deal with an alcoholic husband while running her own business.

A tough gang of teenage girls are looking for love and fighting for turf on the mean streets of the city! Bad girls to the core, these impossibly outrageous high school hoodlums go where they want … and create mayhem wherever they go!

RICHARD, 15 with learning difficulties, longs to put down roots but his restless and destructive brother, POLLY, needs to keep moving. When the land they live on is bought by a new landowner, and the electricity supply to their caravan is cut, their already precarious living conditions get even worse. Then a chance meeting with the new landowner’s daughter, 17 year old ANNABEL (Yasmin Paige), leaves RICHARD besotted; whilst POLLY befriends the guys who run a seedy traveling fair. Richards optimistic view on life becomes increasingly difficult to maintain as Polly’s abusive behavior worsens, family secrets are revealed, and he is torn between loyalty to his brother and his first true friend in ANNABEL. For better or worse, Richards life is about to change forever.

Not long before marine officer van Hauen goes off to war and heavy-heartedly leaves his family, he coincidentally discovers that his wife has a secret liaison with the dubious Count Spinelli. What the van Hauens do not yet know, is that the sleazy Spinelli has a hidden agenda. (stumfilm.dk)

Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.

A man fakes his death. At his funeral he discovers he has a son and attempts to find him.

Will Montgomery (Ben Foster), a U.S. Army Staff Sergeant who has returned home from Iraq, is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone (Woody Harrelson), to give notice to the families of fallen soldiers. The Sergeant is drawn to Olivia Pitterson (Samantha Morton), to whom he has delivered news of her husband’s death.